A Quote by Abby Lee Miller
I was always interested in choreography - in making people think and feel something.
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I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
My creativity for making women feel beautiful is one of the reasons I love being Latina. Just making people feel more attractive was always a goal of mine; the creativity - I think it has a lot to do with my culture as well.
Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.
I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.
There's something really wrong with using Botox: it stops you making facial expressions - people are so interested in how they appear that there's no intention of projecting how they feel.
I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.
I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.
You have to embrace the people that love you because you're making a difference in people's lives, and you're making them feel something with your music. That, I think, is the biggest key: to stay grounded and focused and stay true to who you are as a person.
With Portlandia, I don't think our intention is always to find something funny. Sometimes the humor comes from taking something really seriously. We're okay with making somebody feel uncomfortable or uneasy.
Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
I've always been interested in people who think out of their time, and I have this passion, actually, for science. I'm just so enormously interested in how, when you think of these revolutionary ideas, other people get threatened, especially if you are different.
I've always been interested in miracles, or the miraculous of the unexplained. I don't scoff at what makes people believe or want to believe. I think I understand the tremendous attraction of the mysteries of the church to the same degree that I understand and appreciate the frustration people feel, especially believers, with the human rule-making arm of the church, with the not-miraculous part of the church - any church.
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