A Quote by Abe Ajay

Every time some new huckster of angst-ridden metaphor is appointed by Art Forum, the congregation genuflects, stroking the catalog like a handful of Rosary beads, and starts spreading that old gospel according to Hyperbole. No questions asked... And thus the bill of goods is sold, all along the line. An art historical snake, swallowing its own tale.
What is the Bible in your house? It is not the Old Testament, it is not the New Testament, it is not the Gospel according to Matthew, or Mark, or Luke, or John; it is the Gospel according to William; it is the Gospel according to Mary; it is the Gospel according to Henry and James; it is the Gospel according to your name. You write your own Bible.
These ways to make people buy were strange and new to us, and many bought for the sheer pleasure at first of holding in the hand and talking of something new. And once this was done, it was like opium, we could no longer do without this new bauble, and thus, though we hated the foreigners and though we knew they were ruining us, we bought their goods. Thus I learned the art of the foreigners, the art of creating in the human heart restlessness, disquiet, hunger for new things, and these new desires became their best helpers.
Once upon a time . . .” “In the beginning was . . .” That’s the way it always starts off. Every story, gospel, history, chronicle, myth, legend, folktale, or old wives’ tale blues riff begins with “Woke up this mornin’. . . .
Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art.
I like to engage the public because when I was in high school, I had all these questions about anti-matter, higher dimensions and time travel. Every time I went to the library, every time I asked people these questions, I would get some strange looks. Nobody could answer any of these questions.
Method is more important than strength, when you wish to control your enemies. By dropping golden beads near a snake, a crow once managed To have a passer-by kill the snake for the beads.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
I said the rosary, and I said the Our Father, as they call it in the Catholic Church. One of the things I learned in the conversion process was to say the rosary, and I had a set of rosary beads. So I said 'Hail Mary, full of grace.'
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
Irish Catholics are more interested in the rosary beads than in the rosary.
Philosophy may be defined as the art of asking the right question...awareness of the problem outlives all solutions. The answers are questions in disguise, every new answer giving rise to new questions.
Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."
I've never been a big fan of subtle art. I like art that gets deep into my head and starts my brain spinning with new ideas and inspiration and my whole body is full of energy.
I can go to parties all the time and not see people I want to work with, but then sometimes I do, and the way I try to describe it is that I like to refer to art history a lot in my paintings, and there are some people who just have a face that feels like art historical. Like they could be in a Tiepolo painting as a person riding through the sky in a chariot, or she could be in a fashion magazine.
Some critics claim to know what art has to be and do, and consider it their task to steer art along the path they have chosen. Others receive art gladly, and try to distinguish degrees of excellence.
So much of our culture is bought and manufactured - not to say great art can't come out of that. Some art is really amazing that is manufactured and sold, like action movies and stuff.
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