A Quote by Abel Korzeniowski

Growing up in Poland, I didn't have the experience of going to Disneyland as a child, so I don't have any childhood memories connected to it, good or bad. — © Abel Korzeniowski
Growing up in Poland, I didn't have the experience of going to Disneyland as a child, so I don't have any childhood memories connected to it, good or bad.
When you discover that you are going to have a child, it stirs up memories of your own childhood.
I don't really have any childhood memories of my dad, unfortunately, .. I was 10 years old when he passed, so my memories are kind of skewed. I don't have many memories of my childhood, period.
There are films like 'Interstellar' where you cannot replicate the experience of seeing it in IMAX - it's an amazing film presented in a spectacular way. It really is an experience, like going to Disneyland, and you can't replicate that by watching home videos of going to Disneyland.
When you're young, you don't have any experience - you're charged up, but you're out of control. And if you're old and you're not charged up, then all you have is memories. But if you're charged and stimulated by what's going on around you, and you also have experience, you know what to appreciate and what to pass by.
Smell can conjure up memories for me stronger than any other sense. Especially childhood memories. Perhaps because you were that much shorter and therefore closer to the ground and its smells.
Of all my childhood memories, I don't have any good ones.
I grew up in Newport, so I went to Boston growing up. The city holds a lot of special memories of my childhood, like the Swan Boats and Make Way for Ducklings.
I instantly connected with the sport and I have fond memories of growing up on my skating rink that my dad made for us in our backyard.
When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
I have good memories and bad memories of games against Chelsea. All the goals are good memories because all of them are special.
The achievement of freedom is hardly possible without the felt mourning. This ability to mourn, i.e, to give up the illusion of a happy childhood, can restore vitality and creativity if a person is able to experience that he was never loved as a child for what he was, but for his achievements, success and good qualities. And that he sacrificed his childhood for this love, this will shake him very deeply.
What I have got from my childhood aren't toys, but memories. And happy memories are better than any toy.
Many of them [people who escaped religion] recounted both the terror and the relief they felt after leaving religion behind. Terror at realizing there was no longer an imaginary friend; relief that no one was looking over their shoulder any more. Several described the experience as similar to that of a child learning to go to sleep without a favorite teddy bear. Others described it as simply growing up or outgrowing the need for the imaginary friends of childhood.
For any child growing up, anything is possible. We were poor growing up and you had to work hard and make it happen for yourself.
Every child is so different. Their experience growing up and their experience relating to the world has so much to do with their temperament, and their likes and their dislikes.
I think of childhood as an explosion of creativity. For most people, growing up and earning a living means leaving all that behind. But an artist never leaves that behind. Edwin Mullhouse was my way of exploring the child as artist and, under the guise of childhood, something larger.
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