A Quote by Aberjhani

Most of the more celebrated names among African-American authors, poets, and artists are known to the world because of their association with specific cultural arts movements.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
According to the American Heart Association, the prevalence of hypertension in African Americans in the United States is among the highest in the world.
You have Vampire Weekend who have more African references musically than most African-American artists.
I photograph artists, and some of them are very well known, but if you ask the average man on the street, 'Do you like Anselm Kiefer?' He would stare at you with a blank stare, because these are not celebrities. They are celebrated in a specific circle.
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
The fact is, some of the most respected scientific bodies in the world, including Codex Alimentarius (jointly run by the World Health Organization and the Food and Agricultural Organization of the United Nations), the American Medical Association, the British Medical Association, and the American Public Health Association, have stated that more research needs to be done on GMOs through premarket safety assessments before we can truthfully determine their safety.
If you look at my collaborations, it is very much in line with all these others in the sense that it is a building of community, particularly among artists of color. This is what I learned from the example of elder African-American artists, which is where it is all coming from; to refuse to be silenced.
I feel like because black Cuban artists don't have the kind of pressure to thematize race in the way that African-American artists do, there's more space for them to do their art without having to discuss it in terms of racial identity.
I don't regret the fervor, because I do believe, in the African American community but also for other communities, and I know from talking to people, for communities around the world, the election of an African American to the most powerful office on Earth meant things had changed, and not just in superficial ways. That in some irreversible way the world was different.
What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.
I feel more a part of the wrestling community than I feel I belong to the community of arts and letters. Why? Because wrestling requires even more dedication than writing because wrestling represents the most difficult and rewarding objective that I have ever dedicated myself to; because wrestling and wrestling coaches are among the most disciplined and self-sacrificing people I have ever known.
I don't doubt that at the dawn of martial arts, the main goal was to beat up one's opponents in the most effective way possible. But then, indirectly, the alchemy of martial arts began to strike some chords deep within the spirit of many individuals, transforming living war-machines into poets, artists, and philosophers.
Without poets, without artists... everything would fall apart into chaos. There would be no more seasons, no more civilizations, no more thought, no more humanity, no more life even; and impotent darkness would reign forever. Poets and artists together determine the features of their age, and the future meekly conforms to their edit.
The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known.
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
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