A Quote by Aberjhani

The dancing vortex of a sacred metaphor clashes horns and halos to make wounded music set to the tempo of a new era in brilliant labor. — © Aberjhani
The dancing vortex of a sacred metaphor clashes horns and halos to make wounded music set to the tempo of a new era in brilliant labor.
I like to make people dream and think and imagine and learn and study. Nowadays, music is so literal - it's telling you, "This is how it is," and my music's the opposite. I come from an era where lyrics were full of imagery and metaphor, and that's all I know.
I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new.
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
First of all, I always see the sun! The way I want to identify myself and others is with halos here and there halos, movements of color. And that, I believe, is rhythm.
Even a vortex is a vortex in something. You can't have a whirlpool without water; and you can't have a vortex without gas, or molecules or atoms or ions or electrons or something, not nothing.
Quite often in history action has been the echo of words. An era of talk was followed by an era of events. The new barbarism of the twentieth century is the echo of words bandied about by brilliant speakers and writers in the second half of the nineteenth.
I wish I had read Sacred Pregnancy when I was pregnant instead of the dozen books I had to piece together to try to make sense of it all. Anni Daulter has created what should be the new standard for today's mom: birth journals, labor workbooks, pregnancy memoirs, and holistic wisdom. It is gentle and enlightening, and lays the foundation for what we know helps women have the labor and birth they want and deserve: support, self-knowledge, and empowerment.
O give me new figures! I can't go on dancing The same that were taught me ten seasons ago; The schoolmaster over the land is advancing, Then why is the master of dancing so slow? It is such a bore to be always caught tripping In dull uniformity year after year; Invent something new, and you'll set me a skipping: I want a new figure to dance with my Dear!
Our sacred beliefs have been made pencils / names of cities / gas stations / My knee is wounded so badly that I limp constantly / Anger is my crutch / I hold myself upright with it / My knee is wounded / see / How I Am Still Walking.
Other than our love our labor is one of the most sacred gifts we can give. When your labor is your love, life is sacred. Love what you do or change.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
There's a simple doctrine. Outside of a person's love the most sacred thing they can give is their labor. Labor is a very precious thing you have and any time you can combined labor and love you've really made a match.
I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.
It's a very smart, progressive bunch, these people that make country music. They're not country hicks sitting behind a desk with a big cigar giving out record deals and driving round in Cadillacs with cattle horns on the front grille: it's a bunch of really wonderful, open-minded, great people down on Music Row that make this music.
Hip hop dancing is more like choreography and it's more made up and you have to learn it. This, this Krump and Clowning you can't learn, it's just in you, the music moves you, you know. It's raw and organic, you know, it's like whatever comes out of you, you make it up tempo with the rhythm, you know, and it just comes out.
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