A Quote by Aberjhani

Happy World Poetry Day: 'The American identity has never been a singular one and the voices of poets invariably sing, in addition to their own, the voices of those around them.
And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
Increasingly I think of poetry as a theatre of voices, not as coming from a single "I" or from any one position. I want to imagine voices different from my own.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
Often, particularly with voices, you're hearing horrible things, demon voices, and voices telling them that they're not worth it or that they're going to kill somebody. In those moments, they're overcoming things.
I have had the good fortune of being able to sing with many of the finest voices in the world, and for someone who loves voices as I do, this is an enormous privilege.
In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
When you live with voices in your head, you are drawn inextricably to voices outside your head. Very often the voices work to confirm your worst suspicions. Or think of things you could never have imagined! There are only so many hours of the day to hate yourself.
For myself and the Players Coalition, it was never about the money or having our voices bought. To hear people call me or anyone else a sell-out is insulting. It has always been, and will always be, about lifting the voices of the people and the work of those that fight for them.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
As an American I must say I haven't been very encouraged by the way in which the people who run the government in the United States have been listening to those contrary voices. And so long as the power to run the world lies in the hands of people who are quite happy to see it get warmer, or fuel be used more, then would those people who oppose it are crying in the wilderness - that's the real problem.
The Basic Eight and Watch Your Mouth both have first-person voices, and I ended up investigating those voices and investing so much in them that I think many people took them more seriously than they ought to have.
I encourage people to find and use the power of their voices just as much when I do not agree with those voices as when I do agree with them.
Women who have been disappeared by violence are howling. The voices of disappeared women are echoing. I sing with these voices.
Don't spend most of your time on the voices that don't count, voices that are going to add too little worth to your future. Don't waste time on the shallow and the silly. Tune those voices out and tune in voices that are going to add something to your life
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