A Quote by Aberjhani

'Mixtape' is a very appropriate word to include in the title of Goran Hugo Olsson's film because it includes a rich mixture of cultural voices. They speak across different dividing lines such as those of haves and have-nots, youth and maturity, black and white, national and global, and the past and the present.
Another current catch-phrase is the complaint that the nations of the world are divided into 'haves' and the 'have-nots.' Observe that the 'haves' are those who have freedom, and that it is freedom that the 'have-nots' have not.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
In this age, I don't care how tactically or operationally brilliant you are, if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
We do not accept that ours will ever be a nation of haves and have-nots. We must always be a nation of haves and soon-to-haves.
In this age, I don't care how tactically or operationally brilliant you are: if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete.
Today, there are three kinds of people: the haves, the have-nots, and the have-not-paid-for-what-they-haves.
And that is that we have never been: a nation of haves and have-nots. We are a nation of haves and soon-to-haves, of people who have made it and people who will make it. And that's who we need to remain.
If you have extremes of haves and have-nots where the gap keeps growing, the have-nots group together and create social disorder, as they can't see a way out of their situation.
Terrorism thrives when the gap between the 'haves' and 'have nots' becomes so wide and when the 'have nots' reach the point of such desperation, pain, and agony that they have nothing to lose.
In today's world, the elites are growing even more comfortable with one another across national lines, yet at the same time, less comfortable with low-income people who share their nationality. How we create those bonds of community that are truly global as well as national is one of our generation's great challenges.
The complete life, the perfect pattern, includes old age as well as youth and maturity. The beauty of the morning and the radiance of noon are good, but it would be a very silly person who drew the curtains and turned on the light in order to shut out the tranquillity of the evening. Old age has its pleasures, which, though different, are not less than the pleasures of youth.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
I'm with the blacks, because we’re white trash. We’re going across the field … They’re singing and happy. I never heard one of them, one black person, say, ‘I tell you what: These doggone white people’ - not a word!
Positive emotion can be about the past, the present, or the future. The positive emotions about the future include optimism, hope, faith, and trust. Those about the present include joy, ecstasy, calm, zest, ebullience, pleasure, and (most importantly) flow; these emotions are what most people usually mean when they casually-but much too narrowly-talk about "happiness." The positive emotions about the past include satisfaction, contentment, fulfillment, pride, and serenity.
I think people are always going to be fascinated about the haves and have nots - about the divide between the servants and the rich families upstairs.
It will be difficult if people can't get past their prejudices; I don't mean Black and White; I mean people automatically assume because a film has a predominantly Black cast, that it is a particular quality of film.
This site uses cookies to ensure you get the best experience. More info...
Got it!