A Quote by Abhay Deol
When you do films after films, you don't let life happen. At least, in my case, I end up relying too much on emotions, which aren't raw enough. Travel helps me to get a renewed approach towards things.
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If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
I just remember not having access to films as a young person who loved films but living in Compton. In order to see the film, I had to get on the bus and travel quite a ways to get to an arthouse theater - none of which you're gonna find in black and brown communities - to see anything that was outside of what the studios fed me, and that's not the case anymore.
When I met Ram Charan, he told me not to worry about how much my films make. After 'Magadheera,' people began expecting big things from him. So he did films to keep up to that expectation. He advised me to not fall into that trap.
After 20 years and 250 mainstream films, I thought I should have in my library at least 50 films, films that will be talked about when I am no more.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
I wouldn't say films are a natural process after modelling. Films are more complex. There is not much connection between ramp shows and films.
One of the horribly frustrating things about writing feature films is the rules everyone applies and says, 'You have to do this by the end of the first act and by the end of the second act you must introduce this.' As if there were rules to life or telling a story or the ways things happen, which of course there aren't.
I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall.
I may not be the number one movie star, or my films might not be doing too good. I am grateful for what life has offered me. I have got a great family, parents are together, have a great sister, I get to holiday. All these things make me grateful towards life, for everything. I always say - have an attitude of gratitude.
I think the films we see, the Hollywood films, which are basically entertainment, will still be there, but they'll be in a totally different category. People won't take them seriously. They'll kind of end up the way comic books have. A side view of things.
I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
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