A Quote by Abhay Deol

I was termed 'choosy' because when an actor decides to go against the wind and takes on only non-formula films, he is not left with much choice. — © Abhay Deol
I was termed 'choosy' because when an actor decides to go against the wind and takes on only non-formula films, he is not left with much choice.
I am not intellectually choosy. My choice of films reflect who I am, but it is not done with strategy and planning. I hear something and go by my intuition.
Taking your first title is much more complicated and more difficult; it takes years of work - from go-kart to Formula One. The second comes more easily, because you've already got the experience.
It's really a great luxury to have, to be able to go from big films to indie films, too. Because I'm on the job learning as an actor, and independent films is where I'm learning to act.
I'm lucky to be getting a lot of good work in Tollywood. And I won't say I'm choosy, but of course, you have to select the best, and I'm trying to grab as many good films as I can. There was a time when I had to let go of some films which I regret now.
An actor can never voice his opinion through films. All an actor does is convey what the director and writer want to say. You are a mouthpiece of their ideas. Your ideas reflect only in your choice of movies.
Wise guy, he not go against wind. In Chinese we say, Come from South, blow with wind -- poom! -- North will follow. Strongest wind cannot be seen.
I don't know if she's making the right choice, but it's not my choice to make. I promise to support her, whatever she decides. Because that's what sisters do.
As the genuine religious impulse becomes dominant, adoration more and more takes charge. 'I come to seek God because I need Him', may be an adequate formula for prayer. 'I come to adore His splendour, and fling myself and all that I have at His feet', is the only possible formula for worship.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
I don't see a lot of films. I'm quite choosy, but there's certain films that stick out.
When everything seems to be going against you, remember that the airplane takes off against the wind, not with it.
Consumers, when they've only got a couple of quid left in their pockets, are choosy about how they want to spend it.
Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.
My favorite mode of transport is hot-air ballooning. It's so graceful to be blown by the wind, to go where the wind takes you.
It's so graceful to be blown by the wind, to go where the wind takes you. Just drifting over beautiful rivers in a balloon is perfect.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
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