A Quote by Abhimanyu Singh

I was introduced to the world of films by Manoj Bajpayee and trained under theatre actor Makrand Deshpande. — © Abhimanyu Singh
I was introduced to the world of films by Manoj Bajpayee and trained under theatre actor Makrand Deshpande.
I am not Padma Shri Manoj Bajpayee. I am Manoj Bajpayee, an outsider who saw dreams and stayed on the fringes of Mumbai and worked day and night to get work.
Manoj Bajpayee is a husband, a father, and an actor. He doesn't see his life beyond that.
Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
Not many people know that it was Manoj Bajpayee who recommended me for a role in 'Aks.'
I love Sanjeev Kumar's cop portion in 'Sholay.' Manoj Bajpayee in 'Shool' was also amazing.
There are so many roles that actors like Nawazuddin Siddiqui or Manoj Bajpayee or Irrfan have done. And they make every character iconic. They are the masters of their art... I want to be like that.
I don't approach my character in a set pattern. I want to get into the skin of the character. I don't love Manoj Bajpayee; I love all my characters. And that is why people today remember all my roles.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
Theatre is an actor's medium. An actor has little control over a film. Which is why most actors who have done theatre, and then come to films find the former more creatively satisfying.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
I trained to be a theatre actor, I love the live gig, the transference between an audience and a performer.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
To be honest, I am not theatre-trained and though I am confident in my skill set, to do theatre requires a better-tuned set of muscles and I sometimes defer to actors who are better trained. But at the times I do want a shot, I'll go for it, especially if the piece speaks to me and the opportunity comes up. The immediate response from a theatre audience is so thrilling, affirming, and soul-feeding; to know how you've affected an audience at curtain can be ego-blowing, both good and bad.
Unlike films, theatre allows you to experiment as an actor, which is fulfilling.
I don't use any techniques; I'm not trained to be an actor. I just enjoy working in films.
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