A Quote by Abhinav Shukla

'Roar' is a film based on the tigers in the Sundarbans. It is the story of a battle between man and the beast. — © Abhinav Shukla
'Roar' is a film based on the tigers in the Sundarbans. It is the story of a battle between man and the beast.
We hear the ambient noise of children singing. We hear lions and tigers roar. Hyenas laugh. Some jungle bird or howler monkey declares its existence, screeching a maniac's gibberish. Our entire world, always doing battle against the silence and obscurity of death.
The difference between the reason of man and the instinct of the beast is this, that the beast does but know, but the man knows that he knows.
Say you have a headline like "Mountain Bike Stolen," and then you read the story, read another story about it the next day, and then the next week, and then the next year. News is a process of expansion, the filling in of detail, and making narrative connections - not based on chronology, but based on features of the story. There are narrative connections made between props, between characters, between situations, and so forth.
Every man who has an idol or admires someone can recognise its themes. It's not only a film about the relationship between fans and idols, it's also a love story, a story of a man who is depressed, who has problems in his relationship with his teenage step-children.
Imagine a dense forest full of tigers and you in a strong steel cage. Knowing that you are well protected by the cage, you watch the tigers fearlessly. Next, you find the tigers in the cage and yourself roaming about in the jungle. Last, the cage disappears and you ride the tigers!
Beast?" Jane murmured. "Then God make me a beast; for, man or beast, I am yours.
Superstition changes a man to a beast, fanaticism makes him a wild beast, and despotism a beast of burden.
A beast does not know that he is a beast, and the nearer a man gets to being a beast, the less he knows it.
A man without justice is a beast, and a man who would make himself a beast forgets the pain of being a man.
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
I brought the Beetle to life with a roar. Well. Not really a roar. A Volkswagen Bug doesn't roar. But it sort of growled.
For the world is broken, sundered, busted down the middle, self ripped from self and man pasted back together as mythical monster, half angel, half beast, but no man...Some day a man will walk into my office as a ghost or beast or ghost-beast and walk out as a man, which is to say sovereign wanderer, lordly exile, worker and waiter and watcher.
The truth of the matter is, every film is imperfect. It's the nature of the beast. One of the things that people ask me all the time is, what's the difference between theater and film, and one of the biggest differences is, in the theater you always get another go.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
I think the reason 'Sexy Beast' was so good was it wasn't just another run-of-the-mill gangster film; it was a love story.
There is a savage beast in every man, and when you hand that man a sword or spear and send him forth to war, the beast stirs.
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