A Quote by Abhishek Bachchan

If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
Your generosity is reflected in what you do with your own money, not in what you do with other people's money. If I give a lot of money to charity, then I am generous. If you give a smaller fraction of your money to charity, then you are less generous. But if you want to tax me in order to give my money to charity, that does not make you generous.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
If you screw up five films straight, then you're done. It's a business, the producer invests money and you need to make sure his money is recovered and in the process you give out the best film.
When you makes movies, you usually make good money. But it is also a very tough job. Once you enter the public's eye, you have to be aware that you give up a huge part of your own life. And it is never a job from nine to five.
There's very few people who want to just make beautiful films that make money when they can make films that make huge money.
There's very few people who want to just make beautiful films that make money, when they can make films that make huge money.
My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
Well, TV does a better job. In film, the justification has been that movies focused on stories or featuring people of color don't make money.
In my career, I've never been a box office name. Granted, a couple of my movies have made a lot of money, but I'd do other movies which make very little money, or they're not seen that much.
I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.
I'm very pessimistic about that, no matter how hard we may try. The Chinese market is huge, but out of last year's $2 billion box office, $1.8 billion was taken in by foreign movies, and just $200 million by our own movies, no matter how much we have learned of their techniques, or their good practices. The Hollywood movies imported into China are all good movies; does the U.S. make lousy movies? Yes, too many lousy movies, but the imports are good films, so how can they not be box office hits? They're all hits.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
If your income on films or whatever you're producing using film drops below a certain level, then you don't have enough money to stay in business. People like to say that this is all just about making money, but if you don't make money, you don't make anything.
If I want to be a leading man in a film, box office numbers count because producers have invested money. I see no wrong in that process.
If you wake up deciding what you want to give versus what you're going to get, you become a more successful person. In other words, if you want to make money, you have to help someone else make money.
Ideally, I want my films to work because I want the people who have invested their money to get back their investment and make profits too.
This site uses cookies to ensure you get the best experience. More info...
Got it!