A Quote by Abi Morgan

Usually when I write a movie, I'm lucky if I get one good actress. — © Abi Morgan
Usually when I write a movie, I'm lucky if I get one good actress.

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The core for everything is to be grateful. It's literally as simple as that... I've always known that I'm lucky to be an actress, and I'm lucky to be a working actress. I'm lucky to have garnered attention for certain roles, and I'm grateful for it.
TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.
I was lucky that my first movie itself established me as an actress.
Most people with a big idea, great talent and/or something to say don't get lucky at first. Or second. Or even third. It's so easy to conclude that if you're not lucky, you're not good. So persistence becomes an essential element of good, because without persistence, you never get a chance to get lucky.
I've been very lucky and been able to work, as an actress, but I'm definitely a working actress. I get a script, I audition, and then I pray.
I look around at my peers, and I'm so blown away by their talent and their beauty and their cool style, as well as their ability to be an actress and be a movie star and be good at it. I mean, they're so good, and we're all trying to get the same parts.
Bette Davis taught Hollywood to follow an actress instead of the actress following the camera, and she's probably the best movie actress there's ever been.
There's a saying that we use in golf: "I'd rather be lucky than good." Of course, to be lucky and good is the ideal. If you study hard, you can get good. And if you get lucky and get the proper parts for people to be able to appreciate what you're doing ... I'm sure there are many actors that are quite talented who have never been a success because they've never had the right opportunity and the right material. My mother used to think I had a guardian angel.
You write a spec, and you pour your heart and soul and life into a spec, and you think that spec is the movie that's going to sell and get made... I've never heard of anybody that happened to. What happens is, you write a spec, people get it, they see your writing, they see you're good, they bring you into their office and they say, "Boy, that spec was really good - we'll never make that in a million years. We have rights to the board game of Monopoly. What do you think about a Monopoly movie?".
When you're lucky enough to get paid a nice chunk of change to write a movie or a TV show, you have no right to complain, really. I guess it's more of an appeal to the powers that be that the less they interfere, the more likely, actually, they are to get something that works, I think.
I am lucky that I get to play a singer and an actress.
It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
I never wondered whether I should be a stage actress or a movie actress.
No complaining about how hard it is to write, we are all so, so lucky to write, to sit down, inside, and write words on paper. There is no greater freedom, no greater good, nothing that brings more joy.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
Two of an actress's greatest assets are love and pain. A great actress, even a good actress, must have plenty of both in her life.
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