A Quote by Abi Morgan

Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts. — © Abi Morgan
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
On stage, I have felt most fulfilled as a playwright, for everything I create gets to grow and evolve with collaboration from directors, actors, and so on.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
The computer programmer is a creator of universes for which he alone is the lawgiver. No playwright, no stage director, no emperor, however powerful, has ever exercised such absolute authority to arrange a stage or field of battle and to command such unswervingly dutiful actors or troops.
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.
The only thing we are as actors are messengers. That's all we are. Correct? We are delivering the playwright's intention through the concept of the director. And I come on stage; if I feel confident in the role, then I give it away.
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
It's a lucky circumstance when you get to usher in new work, because you are able to ask the playwright and the director (who in a new work is always in dialogue with the playwright) an unlimited amount of questions.
I am a playwright. I show What I have seen. In the man markets I have seen how men are traded. That I show, I, the playwright.
We are not the playwright, we are not the producer, we are not even the audience. We are on the stage.
I took a page from [the playwright] Wendy Wasserstein's book. She said 'I'm not a feminist, I'm a humanist.'
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