A Quote by Abigail Spencer
I feel like network didn't want me. I was doing all these pilots, and it never worked out. I was like, network doesn't like me. I'm going to go to cable where I'm appreciated. Then it was funny; I think I had to go to cable for network to appreciate me.
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With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
The territory has changed, and a lot of really good actors want to do cable series, but they don't necessarily want to do network TV and make the commitment of 22 episodes or whatever. They find that the liberties and the creative freedoms that you get in cable is more interesting to them than the censorship of a network show.
Obviously there are different standards and practices that are allowed on cable versus network. You just have to embrace what your network is going to allow.
Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.
Obviously, it's not cable, it's streaming, but it's the same format. It's the same 10 episodes. It feels like cable as opposed to network.
There are things I'm doing with 'The After' that would've never flown on 'The X-Files' and on network television, so it's more permissive. That's not to say that you want to abuse that. I think that a show like 'The X-Files' actually worked better as a network show with the restraints put on it, the censorship that was applied.
I don`t control the schedule of the networks. We have three of our debates that are on network television, and those are on Saturday nights. We have three other debates that are during the week. And unfortunately, broadcast network programming is less flexible than cable network programming.
I've been a huge fan of the cable network FX for a very, very long time. I think their brand of comedy is incredible. For me, as an audience member, that's a go-to channel.
Like yes, I was part of a launch of an entire cable television network and we all worked so hard getting prepared for it and rehearsed so many times.
You audition, and then you go and do what's called a test, your network test. So you have to go in front of the network and do it, and the network has to sign off on you.
We had shot six episodes of the West Wing season when 9/11 happened. An extraordinary thing that would never happen today is Aaron going to the network and saying, "I think we need to go back and reshoot, I have something I want to do," and the network just kind of let him do it.
Look, we can definitively agree that cable is far superior to network. That isn't to say that there can't be a great network drama or comedy that makes 20-plus episodes a year. We know that there are, and there have been.
I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.
I like the end of the year to be about something. Especially with younger shows, the network pushes you to make self-contained episodes; they don't like them to be serialized: 'We want this one to be funny for someone who's never watched it and will never watch again.' And I go 'Why would anyone want to do it like that?'
I can go into LinkedIn and search for network engineers and come up with a list of great spear-phishing targets because they usually have administrator rights over the network. Then I go onto Twitter or Facebook and trick them into doing something, and I have privileged access.
Because I'm seen on 'Oz', a lot of the urban cats in the city are like, 'Yo, I thought you'd be rolling in a Mercedes?' And I'm just like, 'Not at all!' This is cable money. There is a big difference between that and a network. But still I can't complain. It's better than doing a 9 to 5 any day.
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