A Quote by Abigail Washburn

I'm, I guess you could say, the Chinese-speaking, banjo-picking girl. — © Abigail Washburn
I'm, I guess you could say, the Chinese-speaking, banjo-picking girl.
When I got to NYU, I had applied based on playing folk music, and they said, 'You're the banjo girl,' so I thought ,'OK, I'm the banjo girl.'
Granddaddy used to handle snakes in church. Granny drank strychnine. I guess you could say I had a leg up, genetically speaking.
And if anyone asks, you're Chinese. The boy had nodded. "Chinese," he whispered. "I'm Chinese." "And I," said the girl, "am the Queen of Spain." "In your dreams," said the boy. "In my dreams," said the girl, "I'm the King.
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
I wrote a post about wanting to buy a banjo - a $300 banjo, which is a lot of money, and I don't play instruments; I don't know anything about music. I like music, and I like banjos, and I think I probably heard Steve Martin playing, and I said, 'I could do that.' And I said to my husband, I said, 'Ben, can I buy a banjo?' And he's like, 'No.'
I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
I really enjoy picking up the physical rhythm of somebody else, speaking with their voice. I've never done in anything in my own voice, and I can't imagine what that would be like. It would be weird, I guess.
I reside in a new colony for the Chinese-singing banjo player, with a population of one. At least I have something I have to do with my life.
Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.
When I was a little girl, if I didn't eat my soup, my mother would say, 'You have to think of all the Chinese children who have nothing to eat.' But now, for my children, Chinese people make everything, and for my grandchildren, they buy everything.
I knew a girl named Nikki I guess u could say she was a sex fiend I met her in a hotel lobby Masturbating with a magazine She said "how'd u like 2 waste some time?" And I could not resist when I saw little Nikki grind.
I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.
I first heard the banjo on the Beverly Hillbillies, and from then on I was banjo-conscious. But I didn't actually get one until my grandfather gave me one, almost by mistake. He knew I was playing a little bit of guitar. He saw a banjo at a flea market and bought it. I took it home with me and just never put it down. I was fifteen.
The thing about the banjo is, when you first hear it, it strikes many people as 'What's that?' There's something very compelling about it to certain people; that's the way I was; that's the way a lot of banjo players and people who love the banjo are.
The banjo is such a happy instrument--you can't play a sad song on the banjo - it always comes out so cheerful.
One of my closest friends was a half-black, half-Jewish girl. Another good friend had a shaved head... but I was also friends with jocks. I was a 'floater,' I guess you could say.
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