A Quote by Abigail Washburn

For most Americans, my Chinese music feels like a novelty, and it's not what it is for me. — © Abigail Washburn
For most Americans, my Chinese music feels like a novelty, and it's not what it is for me.
For most Americans, my Chinese music feels like a novelty and it's not what it is for me.
I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.
Chinese Americans, when you try to understand what things in you are Chinese, how do you separate what is peculiar to childhood, to poverty, insanities, one family, your mother who marked your growing with stories, from what is Chinese? What is Chinese tradition and what is the movies?
With most electronic music I hear now, the things I like will be the things that have soul. It has to have a feeling in it, where it feels warm, or feels epic. I like to play with that in my music as well, there will always be a piano chord or something underneath it to make you feel at home. I always try and make sure even with vocals and layering that you still feel like you know me, no matter whether you're into grime or hip hop.
Am I a liberal or conservative? I'm neither. Like most Americans, I find politics very frustrating. Like most Americans, I'd like to hear from politicians the facts. That is what drives me.
Our nation is built upon a history of immigration, dating back to our first pioneers, the Pilgrims. For more than three centuries, we have welcomed generations of immigrants to our melting pot of hyphenated America: British-Americans; Italian-Americans; Irish-Americans; Jewish-Americans; Mexican-Americans; Chinese-Americans; Indian-Americans.
L.A. to me feels like music industry, and Nashville to me feels like music community.
It may be the optimist in me, but I think America has a uniquely powerful and capacious glue internally. The American identity has always been ethnically and religiously neutral, so within one generation you have Italian-Americans, Irish-Americans, Chinese-Americans, Jamaican-Americans - they feel American. It's a huge success story.
Anything that feels familiar and comfortable [is home]. It's wherever I feel safe and safest. Most of the time, that's just Barbados. It's warm, it's beautiful, it's the beach, it's my family, it's the food, it's the music. Everything feels familiar, feels right and feels safe. So, Barbados is home for me.
Believe me, after the destruction of Chinese nuclear sites by our missiles, there won't be much time for the Americans to choose between the defense of their Chinese allies and peaceful co-existence with us.
Everything in me feels fluttering and free, like I could take off from the ground at any second. Music, I think, he makes me feel like music.
There are three things which the public will always clamor for, sooner or later: namely, novelty, novelty, novelty.
There are three things which the public will always clamour for, sooner or later; namely: novelty, novelty, novelty.
In the studio, I like to have the music first: I'll sit with the music for like an hour, on loop, and just let it tell me what it feels I should do.
'Welcome to the Dollhouse' is great. Even though it's about a girl in middle school, to me, that feels like the most honest reflection of what being a kid around that age feels like.
Music pulled me like a gravitational force. I entered college as a physics major but left as a Bachelor of Music, a degree with the same practical application as, say, one in the History of Chinese Poetry.
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