A Quote by Abigail Washburn
I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
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In New York, there's so much stuff going on all the time, and when I first moved here my productivity went down. I felt like I had certain social obligations. I found the more that I was like, "Don't listen to other music," or "Don't watch other things," and, "Don't go to other shows," for a specific time period, if I really need to complete something, that is the most helpful tool for me.
When I started meeting members of the hijra community, it was a whole different ballgame. They were like me. This was the first time I felt that I was with other people who were the same as me. It was not about cruising a man, it was not about sleeping with somebody - it was beyond that. It was so much a community, wanting the best for each other, loving each other, caring for each other.
When I moved to New York at 22, I didn't know what I wanted to do. I took an improv class, and the first scene I did, I felt like 'I want to do this for the rest of my life.' It was the first time I ever felt like that about anything. I tried to make a living off improv.
I got into music around the age of eight years old, and I think the reason why was because I discovered the Spice Girls. I fell in love with them, and it was the first time I ever felt like the music was just directed to me.
I've gotten used to being a foreigner.
As a kid, we had one television channel and a sad little roller rink. And there was not much else to do. So I used my imagination all of the time growing up. That's the main way I played. When we moved and I went to high school, I did my first play, and I was completely addicted to theatre. It felt like home; it felt natural.
I had a parakeet that used to fly around the house and crash into these huge mirrors my mother put in. Ever heard of this interior design principle, that a mirror makes it seem like you have an entire other room? What kind of jerk walks up to a mirror and goes, Hey look, there's a whole other room in there. There's a guy that looks just like me in there.
The only separation the Bible knows is between believers on the one hand and unbelievers on the other. Any other kind of separation, division, disunity is of the devil. It is evil and from sin.
For a long time, music was hope. Now it seems music isn't enough to make me happy. It used to be that's all I needed to keep going. Now I need other things to take up the other parts of my life.
I can't see any separation between my music and my life. I play pretty much race music: its about what happened to my father, to me, and what can happen to my kids.
All I know is that the six months when I recorded this music was the most productive time of my life, and I'll always remember it as the first time in my life that I ever felt like I was one with my dreams.
I never felt I was missing anything ever until one day I stopped long enough to smell the roses outside of this little treadmill I'd gotten myself onto and I realised there were other things that I like that I didn't know. I realised I didn't like certain things in my life that I then got rid of and it just opened the door to a plethora of other things that entered.
There should be no separation between spontaneous work with an emotional tone and work directed by the intellect. Both are supplementary to each other and must be regarded as intimately connected. Discipline and freedom are thus to be seen as elements of equal weight, each partaking of the other.
Me and my bandmate having known each other and worked together for so long, the process between us is kind of effortless. We've both played in other bands and recorded things outside of Foxygen, but there's something about what happens between our personalities when we make music that works. Also, with it being just the two of us, we don't have the problems that other bands do. We don't have a bass player saying, "What about my parts?" We play all the instruments between us, and we don't really have much ego about that stuff.
You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.
I'm legitimately having more fun doing music, but at the same time I worked my whole life for baseball. If I had to pick, I would probably pick music. I just connect more with the fact that other people connect with that I'm doing so much. It's a much cooler thing than being good at sports.
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