A Quote by Abraham Lincoln

If a man had more than one life, I think a little hanging would not hurt this one; but after he is once dead, we cannot bring him back, no matter how sorry we may be; so the boy shall be pardoned.
I raised two sons, and I know that even though they're bigger and stronger than I am, they're still little boys inside. They still cry, they still hurt. So whenever I write a male character, no matter how 'heroic' he may be, I think of my sons. And I remember that every man was once a little boy.
When Satan cannot get a great sin in he will let a little one in, like the thief who goes and finds shutters all coated with iron and bolted inside. At last he sees a little window in a chamber. He cannot get in, so he puts a little boy in, that he may go round and open the back door. So the devil has always his little sins to carry about with him to go and open back doors for him, and we let one in and say, 'O, it is only a little one.' Yes, but how that little one becomes the ruin of the entire man!
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
You have to remember. . .that for this little boy whom you have met, his life is just as important to him, as your life is to you. No matter how insufficient or how shabby it may seem to some, it is the only one he has.
When a man's verses cannot be understood, nor a man's good wit seconded with the forward child understanding, it strikes a man more dead than a great reckoning in a little room. Truly, I would the gods had made thee poetical.
She was afraid to suggest to him that to most people, nothing "happens." That most people merely live from day to day until they die. That, after he had been dead a year, doubtless fewer than five people would think of him oftener than once a year. That there might even come a year when no one on earth would think of him at all.
Someone asked me...how it felt and I was reminded of a story that a fellow townsman of ours used to tell--Abraham Lincoln. They asked him how he felt once after an unsuccessful election. He said he felt like a little boy who had stubbed his toe in the dark. He said that he was too old to cry, but it hurt too much to laugh.
You may think it was a very little thing, and in these days it seems to me like a trifle, but it was a most important incident in my life. I could scarcely credit that I, the poor boy, had earned a dollar in less than a day; that by honest work, I had earned a dollar. I was a more hopeful and thoughtful boy from that time.
Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily.
Life cannot be cut off quickly. One cannot be dead until the things he changed are dead. His effect is the only evidence of his life. While there remains even a plaintive memory, a person cannot be cut off, dead. And he thought, “It’s a long slow process for a human to die. We kill a cow, and it is dead as soon as the meat is eaten, but a man’s life dies as a commotion in a still pool dies, in little waves, spreading and growing back toward stillness.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
All right. I will be a man about this…I’m so sorry Bets. I should have hidden the keys. Booted your tires. Something. I had no idea anyone would abuse you so, baby. I swear I’ll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!” – Andy “I really need to get that boy a girlfriend- or at least laid.” – Sundown
After a while I started to think of that as an image of something that went a lot deeper than the dead dog, which is you can't bring back anything to life.
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
You don't know how to fix the holes in our ozone layer. You don't know how to bring salmon back up a dead stream. You don't know how to bring back an animal now extinct. And you can't bring back forests that once grew where there is now desert. If you don't know how to fix it, please stop breaking it!
Much as I admire Tolkien, I once again always felt like Gandalf should have stayed dead. That was such an incredible sequence in Fellowship of the Ring when he faces the Balrog on the Khazad-dûm and he falls into the gulf, and his last words are, "Fly, you fools." What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he's sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead.
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