A Quote by Abraham Lincoln

There is no America without labor, and to fleece the one is to rob the other. — © Abraham Lincoln
There is no America without labor, and to fleece the one is to rob the other.
All that serves labor serves the Nation. All ^ that harms labor is treason to America. No line can be drawn between these two. If any man tells you he loves America, yet hates labor, he is a liar. If any man tells you he trusts America, yet fears labor, he is a fool. There is no America without labor, and to fleece the one is to rob the other.
The 'survival of the fittest' is beneficently inevitable; the capitalist is powerless against labor, unless the State . . . steps in, and helps him catch and fleece his victims. The old plea of despotism, that liberty is unsafe, reappears now in the mistaken notion that competition is hostile to labor.
Each needs the other: capital cannot do without labor, nor labor without capital.
Labor, being itself a commodity, is measured as such by the labor time needed to produce the labor-commodity. And what is needed to produce this labor-commodity? Just enough labor time to produce the objects indispensable to the constant maintenance of labor, that is, to keep the worker alive and in a condition to propagate his race. The natural price of labor is no other than the wage minimum.
Whatever there is of greatness in the United States, or indeed in any other country, is due to labor. The laborer is the author of all greatness and wealth. Without labor there would be no government, no leading class, and nothing to preserve.
My first day of high school, I wore brown boys' corduroys that my mom had sewn Sesame Street elastic into - they were my coolest pants - and a lime green Patagonia fleece that my mom found at Goodwill. I loved fleece.
One finds fortunes built on slave labor, indentured labor, prison labor, immigrant labor, female labor, child labor, and scab labor - backed by the lethal force of gun thugs and militia. 'Old money' is often little more than dirty money laundered by several generations of possession.
I see so many ways America uses to rob Negroes and it is sinful and America can't keep holding on, and doing these things.
Every people, in order to remain healthy and strong, has to have a grasp of its foundation story. Culture is a chrysalis - it is protective, it takes care of you. That's what cultures are for. You cannot rob a people of language, culture, mother, father, the value of their labor - all of that - without doing vast damage to those people.
When the lab rats hear the bell ringing, they freeze. That's what fear does to you - fear stops you dead in your tracks. Fear can keep you from harm, but fear can also rob you of your potential. Fear can rob you of an experience. Fear can rob you of happiness. Fear can rob you of real life... Darkness has a way of scaring us.
Labor Day 2013 is special. This year marks the centennial of the U.S. Department of Labor - 100 years of working for America's workers.
If any man tells you he loves America, yet hates labor, he is a liar. If any man tells you he trusts America, yet fears labor, he is a fool.
... while one-half of the people of the United States are robbed of their inherent right of personal representation in this freestcountry on the face of the globe, it is idle for us to expect that the men who thus rob women will not rob each other as individuals, corporations and Government.
[A.J. Muste] was from Michigan and he grew up in the Dutch Reform Church there, which is a fairly strict church. He later came to New York. He was the minister of a labor temple in the - on the East Side. Then he founded, to my knowledge, the first, maybe the only, labor school; that is, Cornell has a labor department and other schools. But this was a school for - entirely for labor organizers, and he was the - the chairman.
In his comic scenes, Shakespeare seems to produce, without labor, what no labor can improve.
I get very close to people when I'm shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob. Then I would go shoot a scene with Rob and tell him all about Lucy. Eventually they wanted to know each other. These are two people who would never have overlapped in any other way or context. We brought to the garden at Rob's office and just sat and watched what unfolded. I remember weeping behind the camera, because I was so moved by the way they connected.
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