A Quote by Abraham Verghese
The incredible cinematography makes 'A Walk to Beautiful' almost like a poem; there is a tenderness on display that seems to emanate from the camera. There is also great sensitivity to the women whose stories are being told - never did I have a sense of the subjects being exploited.
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Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
My sense is that beautiful women are living in a different world than I am, and that it's a world with benefits but also drawbacks - like, you're on a ticking clock, because the day you stop being supermodel-beautiful is the day that everything the world has to offer you is no longer being offered.
There are people who have incredible stories that we don't talk about. People who did amazing things, men and women who faced incredible odds, and there's nothing wrong with them being heroes for once, you know?
I was rejected many times. I cried. I was told that female actors are replaceable in films because they just stand behind a guy anyway. I'm still used to being paid - like most actresses around the world - a lot less than the boys. We're told we're too provocative or that being sexy is our strength, which it can be, and it is, but that's not the only thing we have. But women have incredible endurance and incredible strength. Your ability to deal with it is within you.
The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.
You must believe: a poem is a holy thing - a good poem, that is. The poem, even a short time after being written, seems no miracle; unwritten, it seems something beyond the capacity of the gods.
When you see stories about women that aren't being told by women, it can make you feel like you don't exist.
The man who feels like he's a woman trapped in a man's body, when he goes into the ladies room, it's the other women whose privacy it seems to me as being violated by having this man walk in... regardless of how he feels.
Someone told me just recently that poets are eulogists. It's their job, to eulogize. I didn't know that, but it makes sense. Because in almost every poem of mine there is a loss.
When the cinematography school told me I would have no chance to get a job, I said, "It's irrelevant." My mom was a feminist in the '20s. She taught me to be on my own, to be independent, to do what I wanted to do. I did not believe it would be difficult. It was difficult. In '66, I almost starved for a year and a half, and the only way I did not starve was because I could not find a job in camera, but I found a job in editing.
Being a father is the hardest job on the planet, because we don't have parental instincts like women have. You have to learn how to be a father before you even become a father, from a very young age. It's necessary to override what we're told in society a father should be, like if your son falls and scrapes his knee, you got to be tough. Baseball and all that are cool, but it's the tenderness and interactions that are really important. Boys are different; we have to impart that sensibility and that tenderness to them.
I have often started off on a walk in the state called mad-mad in the sense of sore-headed, or mad with tedium or confusion; I have set forth dull, null and even thoroughly discouraged. But I never came back in such a frame of mind, and I never met a human being whose humor was not the better for a walk.
I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
Nabokov can be almost too delicate at times, but in 'Lolita,' he puts his aristocratic sensitivity to use in such a dark tale that it creates this great tension between the story being told and the style that it's written in. And it's just amazing that one of the best novels in English was written by a Russian.
... mathematics is very much like poetry ... what makes a good poem -- a great poem -- is that there is a large amount of thought expressed in very few words. In this sense formulas like
or are poems.
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