A Quote by A.C. Newman
While I'm singing complete gibberish to my son when he's in his crib, I'll occasionally think, 'This song I'm making up is actually pretty good.'
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I just sit there and make up songs and sing to [my son] in gibberish. I'm very good at gibberish now.
That's pretty much how every song of mine works - I start with gibberish and melody and phrasing. I speak it naturally first. And then I think about lyrics that fit into that.
I was born singing. My father tells this story about when I was 3 weeks old, how I would rock in the crib and sing in the crib all night long. My crib would roll across the floor in the middle of the night. Finally, my father nailed its legs to the floor.
I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
Here I am as a running back, making a pretty good living, actually doing pretty good.
And if you're singing to someone, or if they're singing along, and suddenly you're in harmony, then it's actually making a huge difference on a subatomic level that is actually transforming the world.
It's so different going in the studio and singing your own music and you don't really think about making sure that the message of the song or the idea behind the song comes across to people. Because it's in your head, it's in your heart, whatever, but it's... different when you're playing a character and you're singing as the character. There's just a lot more involved in that, I guess.
Usually the song is totally done. I'll do absolutely everything, backing vocals - everything - but in gibberish. A lot of times its based on the mumblings that I sing. Even though I sing in gibberish, it kind of makes sense.
It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, ?and I'm completely overjoyed that he felt such a connection with the song.
Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
I was in Jacques Brel Off-Broadway for many years, so I've always been a singing actress, but the songwriting was a complete surprise. I had never written a song in my life. We were on the road with Jacques Brel doing the national tour, and I picked up a guitar one day and I wrote a song.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
Pretty much all the programming on our CDs is done by me personally, so I've kind of been able to have complete control of what sounds I'm looking for to complete a song.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.
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