A Quote by Ace Frehley

It's always good to walk in a room and know everybody kind of looks up to you because I guess I've earned it. — © Ace Frehley
It's always good to walk in a room and know everybody kind of looks up to you because I guess I've earned it.
I wish I could walk into a room and feel superior and have my nose up at everybody, but I can't, because I know I'm just a huge nerd, and that wouldn't work for me.
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
If you have your own taste, you know what looks right and what looks good on you versus someone kind of telling you what looks good on you.
Nobody is going to buy one of our dresses because it will do, or as something to hide away in their wardrobe and wear at some dimly undetermined point. They always have an event of some kind in mind. They want to walk in the room and for everybody to think how amazing they look. That's the job, really.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
Auditioning is a funny one. It's all about energy. If you walk into a room and the room feels off or the people feel off, that can set you off. If the room is very small. I know which casting directors I should go to, because the place is conducive to doing a good job and the people are conducive and I know the other ones aren't, in which case I send in a tape.
For me, theory has always opened things up to where I can walk into a room and just by hearing something I know exactly where to go on the guitar. I have a better time playing because I have a variety of colors to bring to the table.
Many times you walk into a room and people have already made up their minds. But it's always good to have something great associated with you.
I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!
When I lost my brother, it kind of messed me up because in my city, I know everybody. I kind of felt untouchable.
Guys blow my looks up more than I ever would. I guess I have issues with myself. I don't think I'm as pretty as everybody thinks.
So, I'm 34. I'm kind of becoming an adult - kind of, I guess. But I know that I am because, the other day, I said to somebody, 'Dude, dude, don't - those are the good plates.
I guess it's hard for people who are so used to things the way they are - even if they're bad - to change. 'Cause they kind of give up. And when they do, everybody kind of loses.
In the draft you always have a special bond and connection, especially if you have one that goes right after you, so it's kind of always, I guess everybody thinks you're competing.
Fashion was always in me! The incentive to just get up and start my day by looking for an outfit to walk outside and look good, it was always in me. I think my parents and my family, my sister - when I was young, they always cared about, you know, looking good. My parents, they know how to dress.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
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