A Quote by Ace Young
It really helped me as a writer to understand how other writers think.
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Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
I think the one reason that writers marry other writers - one of the reasons that I married another writer - was, I fell in love with that writer. But second of all, I had been married before and a source of marital strife was me needing to go away for a couple of weeks to write or it's Saturday and I think I just need to work today and not hang out with you.
I was radicalised by being a minister. That's when I saw how the system really worked. And that is not a very usual process, but it certainly happened to me: it gave me a lot more experience, it helped me to understand where power really lay, develop strategies for undermining or changing it, and so on. But that isn't the norm. Mr Gladstone moved to the left as he got older, and one or two other people have, but normally you swing the other way.
The first eight years of schooling was with all white people. So that helped me to understand how white people think. I think that transition is what helped me bridge the gap, because that's what my success has really been about: bridging the gap between the black community and the white community.
I was a writer. I wrote on the show. We were in the writer's room and by about episode five, I started to think: 'I really understand Roy Kent. I really understand Roy Kent. I think Roy Kent is within me.'
When I was auditioning, I didn't know it was 'Daredevil.' Everything was secret. They're secret agents. They wouldn't give you any clues. I was a big fan of the show, and I think it helped me, once I got the part, to really understand the world that they live in. It helped me during shooting.
I had Tommy John my first year in pro ball. Going through that rehab process, I think that's what really helped me become a better pitcher, because I was kind of new to it, and I think it helped me learn how to repeat my delivery. It was a crazy journey.
I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live; he observes.
When you're a writer in Hollywood, you don't get to work with other writers. You barely get to meet other writers. We're interchangeable, disposable pieces that never really get to collaborate.
I think this job at T-Mobile has more than anything else helped me really see and understand how to set a strategy, communicate like crazy, and then passionately lead from the front of it.
I think maybe writers come from different planets. I mean, not in any sense as extravagant as Baryshnikov. But there are some writers who understand each other this way and others who understand each other that way. Then there's this great herd, the "herd of independent minds."
I think it's so fun when I get to work with women writers in particular because we really understand the core story or foundation as women. That's so important to me that the authenticity is there, you know, from the place that I speak from for my women. Having other females with me helps me dig deeper.
Teaching and writing, really, they support and nourish each other, and they foster good thinking. Because when you show up in the classroom, you may have on the mantle of authority, but in fact, you're just a writer helping other writers think through their problems. Your experience with the problems you've tried to solve comes into play in how you try to teach them to solve their problems.
If you're a writer, the insight of other writers - if there's some kind of Holy Grail message on how to deal with writer's block or how to deal with any problem that can come up - whether you're writing about yourself or a group of people, I find that very interesting.
I found the emotion that as an athlete you block out, and it really helped me to understand myself as a person. I'm a really emotional person and it helped make me a better person.
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