A Quote by Action Bronson

All I can do is put out the good stuff, and people will make the decision on whether they like it. My fans are very intelligent people. They're not stupid. They know what's good.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
The difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent people-and this is true whether or not they are well-educated-is that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situations-in fact, they expect them and are apt to become suspicious when things seem overly straightforward.
I'm always astounded that people know who I am and what I do. I still have a lot of anonymity and that's good. I don't get bothered in restaurants and stuff like that. But when I'm at events that are really geared toward animation fans, they know who I am. And I'm so very pleased and so flattered by it. People are extremely complimentary to me, and that only encourages me to continue to do more really good work. I get paid by the studios, but I know I work for the fans.
Intelligent people know they are intelligent. They also know that one person cannot know all, hence a person is not stupid simply because he is ignorant of one thing or another. They know that, to another intelligent person, they will not appear stupid in asking for an explanation of what they do not know, and so their ignorance on any particular issue does not become an embarrassment.
I don't know anything about the business side, but I know it's a very, very expensive decision to make, to put production on hold to make the story as good as possible.
Obviously, artists need to make money and stuff like that, but if you do something good or if you make good art or make good stuff, the wealth will find you in some way.
My recommendation for SEO is very simple. It's Write Good Stuff. In my mind, Google is in the business of finding good stuff. It has thousands of the smartest people in the world, spending billions of dollars to find the good stuff. All you have to do is write the good stuff; you don't need to trick it.
The difference between stupid and intelligent people - and this is true whether or not they are well-educated - is that intelligent people can handle subtlety.
It as if you took a lot of very good food and some dog excrement and blended it all up so that you can't possibly figure out what's good or bad. It's an intimate mixture of rubbish and good ideas, and it's very hard to disentangle the two, because these are smart people; they're not stupid.
I'm not good at very many things. The stuff I'm good at tends to be the stuff that people know me for.
Make this decision today. Will you be a good and honest writer, or would you rather be famous, loved, noticed? Tell me, because there are different paths for these two divergent goals. The decision to be a true artist is lonelier and slower, but it will lead to better work and, I think, a better life. Very rarely you will be a good and honest writer and also know a little comfort and some attention and the well wishes of a crowd. This is very rare.
I am perhaps being charitable but I think there are a bunch of people out there who feel stupid. Some will be feeling stupid for stupid and evil reasons - HEY, TRUMP HASN'T DEPORTED ALL THE BROWN PEOPLE YET - and some will feel stupid for good reasons, such as that he lied about everything. But I think being made to feel stupid is damage.
It's our job to put a good product out there, and fans will come. If they see a good product, a good style, fans will come.
Finally, you're right about one point, your entire way of thinking is predicted by what you're immersed in so you know you won't make a bad decision. You can make a bad decision but it's still in the good sphere normally if you work well. You're prepared to face a crew who wants to know everything and poses a hundred questions a minute, because you know you have good reflexes and can respond very quickly.
To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
I don't read good reviews. I like to know what percentages are going on. When Sony sends out something saying that people are liking the movie, I like to know that, but I don't actually sit and read the good stuff.
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