A Quote by Ad Reinhardt

The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea... The artist as businessman is uglier than the businessman as artist. — © Ad Reinhardt
The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea... The artist as businessman is uglier than the businessman as artist.
The artist as businessman is uglier than the businessman as artist.
If by day art is in the service of business, the evenings are devoted to the businessman's enjoyment of it. That is asking a lot of art, but art and the businessman make it work.
Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.
I was never, ever interested in becoming a businessman or an entrepreneur. If I was a businessman, or saw myself as a businessman, I would have never gone into the airline business.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
The Best of the artist's art, which will one day be in a Museum wall, the Painting that sets the artist apart of all other artist artists.
I could play it safe by recording songs that are familiar, but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it, and you've got to be a businessman. But then again, you have to be true to yourself as an artist.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
The important man is not the artist, but the businessman who, in the marketplace and on the battlefield, holds the reins in his hands.
I think a businessman can be an artist just as much as a writer or a sculptor, so I'm real proud of what the company has become.
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
Mitt Romney is a businessman, a turnaround artist, a CEO. That is who he is. The former governor has experience in the public and private sector.
Donald Trump's a businessman, he's a very successful businessman. I think he's a marketing genius.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists. An artist is someone who makes art too. He did not invent it. How it started — "to hell with it." It is obvious that it has no progress. The idea of space is given him to change if he can. The subject matter in the abstract is space. He fills it with an attitude. The attitude never comes from himself alone.
If we can put together a Mexican businessman and a U.S. businessman, they will find a way to do more business.
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