A Quote by Ad Reinhardt
The artist should once and forever emancipate himself from the bondage of appearance.
Related Quotes
For me, the gallery legitimates the art production and helps build collections. I don't think an artist should do everything by himself forever. I did it for years and then slowly built my circle of trust.
This is perdition: the things to which the heart was attached pass away while the person himself, who is an eternal being, is filled with nothing but emptiness when he should have been filled with God Himself. That is why it is so very important that we turn our focus inward to the source of life that lives forever, even as we ourselves will live forever.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
To express himself well, the artist should be hidden. The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.
One should not be too difficult. An artist should not treat himself like an enemy.
One of the achievements of our generation of feminists was to emancipate women from the division between being interested in clothes and appearance, and being serious and ambitious. I am of the first generation that could go to Biba, wear miniskirts and get a degree.
Every artist's strictly illimitable country is himself. An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself - whoever himself may be - is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.
The modern picture of the artist began to form: The poor, but free spirit, plebeian but aspiring only to be classless, to cut himself forever free from the bonds of the greedy bourgeoisie, to be whatever the fat burghers feared most, to cross the line wherever they drew it, to look at the world in a way they couldn't see, to be high, live low, stay young forever -- in short, to be the bohemian.
An artist is he who has his center within himself. He who lacks this must choose a particular leader and mediator outside of himself, not forever, however, but only at first. For man cannot exist without a living center, and if he does not have it within himself, he may seek it only in a human being. Only a human being and his center can stimulate and awaken that of another.
Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.
Society takes what it wants. The artist himself does not count, because there is no actual existence for the work of art. The work of art is always based on the two poles of the onlooker and the maker, and the spark that comes from the bipolar action gives birth to something - like electricity. But the onlooker has the last word, and it is always posterity that makes the masterpiece. The artist should not concern himself with this, because it has nothing to do with him.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
The function off the historian is neither to love the past nor to emancipate himself from the past, but to master and understand it as the key to the understanding of the present.
Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable. In terms of idea the artist is free to even surprise himself. Ideas are discovered by intuition.
A producer should only be there to enable an artist to be himself.
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