A Quote by Ad-Rock
We were from downtown, so we were rapping in Danceteria, in these white downtown clubs, really. Nobody downtown was rapping. Nobody we knew was rapping. So we were like, 'We should do it.' We weren't making fun of it; we loved it, and we wanted to be part of it.
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Rapping was a hobby; when I went to college, there were a ton of dudes rapping. I think that's where I got my rapping chops up.
Segregation was ugly but we made something good out of something ugly. Since we were not welcome in other places run by White people, we were forced by circumstances to let our dollars circulate in our own communities. When you were young and I was young, there was a plethora of Black businesses. But when White folks said, "yes, come and spend your money with us," we ran downtown when we could only pass through downtown. Now downtown has our money.
I was singing R&B before I was rapping, and I never really enjoyed it. But when I started rapping, I was like, 'This is sick - I'm actually alright at rapping!'
During the winter of 2013, we were running 'Comet' up in midtown - as opposed to downtown - and across the street in the Standard, and that was, like, our third time going at it, from Ars Nova to downtown to near Broadway. We weren't on Broadway. We were near Broadway, as we said.
And you may find somebody kind to help and understand you
Someone who is just like you and needs a gentle hand to guide them along
So maybe I'll see you there
We can forget all our troubles, forget all our cares, and go
Downtown, things'll be great when you're
Downtown, don't wait a minute more
Downtown, everything's waiting for you
It never crossed my mind that I was the white guy rapping. I was best friends with Chamillionaire and whatever he did, I did. If he rapped, I rapped. It was something we did for fun at the track meets or basketball games. Or get in these freestyle cyphers with other schools. Me and Cham rapping together.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
'The Sandberg Game' comes up all the time. Fans tell me where they were. They were driving down the highway, they were in the bleachers, they were downtown listening on the radio, they were on the farm on a tractor. I've heard all the stories where people have been. They're just amazed by the ending of the game and the thrill of it.
I wanna keep rapping, I intend to. It's good to mix it up, but I'm still gonna stay true to rapping.
I'm thinking of the kids of the next generation and the music that they need to hear. Before, I was just rapping to rap. Now, I'm rapping to change the world.
When it came to hip-hop... I don't know. Maybe I was insecure. You know, this is the early '90s. If you were a white guy, and you were rapping, that wasn't as accepted yet. I was scared of the quiet Northeast suburbs, so I couldn't embrace my full rapper self.
After that, I started going downtown and doing a lot of theater shows in Chicago. When you go downtown there, it's like you're in New York, it's like going to Broadway.
San Francisco can no longer afford to be a city divided between downtown and neighborhoods, with a downtown that becomes a ghost town when workers go home for the evening.
San Francisco can no longer afford to be a city divided between downtown and neighborhoods, with a downtown that becomes a ghost town when workers go home for the evening
Everyone is aware that tremendous numbers of people concentrate in city downtowns and that, if they did not, there would be no downtown to amount to anything--certainly not one with much downtown diversity.
There's been a big spur in downtown development with new business, restaurants and a lot of loft buying. The buses run, and there's a subway that runs through downtown.
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