A lot of people are trying to get me to go solo. It's just a thing I have to deal with a lot. Record labels are always trying to get me to go solo.
I think Mike Gibbons was probably the greatest boxer that ever put a glove on. They called him The Wizard, The Phantom of the ring and he was that. I boxed with Mike about ten years and I never really hit him a hard punch during the time. Repeating again, Mike was one of the great boxers of the age.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
One of my best friends, Mike, had a kid. Just seeing him go through it all was inspiring. It would be so nice to care about someone more than yourself. And Mike is a total delinquent, so if he can do it, I figure I can, too.
Kids chase the love that eludes them, and for me, that was my father's love. He kept it tucked away, like papers in a briefcase. And I kept trying to get in there.
I definitely feel like I'm carrying on the legacy of the Scott family. What Wendell had to go through was extremely difficult, but he kept racing, kept fighting. Part of him will be with me when I'm out on the track.
When you bowl at him you are not just trying to get him out, you are trying to impress him. "I want him to walk off thinking 'that Flintoff, he's all right isn't he?" I feel privileged to have played against him.
In the beginning of 'Jersey Shore,' for sure, that was the real Mike. That's the Mike that I know, that's the Mike I love. And that's the Mike I strive to be every day.
Mike Tyson is the most complex person I've ever met in my life. I've known Mike since 1986. We're both from Brooklyn. I didn't know him growing up, but once he became heavyweight champion, I knew him then.
Mike is the craziest person. He's scattered; he's all over the place. When you hold him down and tell him, 'This is what you're doing,' he's fantastic. But you have to hold him down. Like, when he had to write his verse for 'Hello Nasty,' we had to take his phone away to get him to do it.
Why don't you like Noel Kahn?" Mike's voice made Aria jump. He stood a few feet away from Aria with a carton of orange juice in his hand."He's the man." Aria groaned. "If you like him so much why don't you go out with him?
We just kept going down the road, we kept trying to make the next record, the right choices to get there.
Weirdly, I was still trying to be the older brother, and trying to get him [Tom Berninger] to try to be more like me a little bit. Or not be more like me but... I was frustrated that he sometimes let things stop him in his life, and he let the wind get knocked out of his sails a few times.
I just got into Mike Tyson. My security people kept saying, 'Haven't you seen him yet?' Well, I finally did, and he's got a real knockout punch.
Theoretically the human is supposed to be the smart one so as you get acquainted with the horse, you explore what it's going to take for him to understand what you would like him do, with as little trouble as possible. You're trying to avoid conflict, not trying to create it.