A Quote by Ada Leverson
When I see a cheerful young man shrieking about how full of life he is, banging on a drum, and blowing on a tin trumpet, and speaking of his good spirits, it depresses me, since naturally it gives the contrary impression. It can't be real. It ought to be but it isn't. If the noisy person meant what he said, he wouldn't say it.
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How did it happen that an enlightened country like Germany was pulled into Nazism? That question has occupied me since 'The Tin Drum,' my first book. The story also shows that we can never know how a person's life will unfold; there is no guarantee that a person will do what is right and avoid what is not right.
I've wanted to be a drummer since I was about five years old. I used to play on a bath salt container with wires on the bottom, and on a round coffee tin with a loose wire fixed to it to give a snare drum effect. Plus there were always my Mum's pots and pans. When I was ten, my Mum bought me a snare drum. My Dad bought me my first full drum kit when I was 15. It was almost prehistoric. Most of it was rust.
Therefore the good man ought to be a lover of self, since he will then both benefit himself by acting nobly and aid his fellows; but the bad man ought not to be a lover of self, since he will follow his base passions, and so injure both himself and his neighbors. With the bad man therefore, what he does is not in accord with what he ought to do, but the good man does what he ought, since intelligence always chooses for itself that which is best, and the good man obeys his intelligence.
One day as a young man, I was walking down the streets. And a group of Zulu guys was walking behind me closing in on me. And I could hear them talking to one another about how they were going to mug me. (Speaking Zulu). Let's get this white guy. You go to his left, and I'll come up behind him. I didn't know what to do. I couldn't run.So I just spun around real quick and said (speaking Zulu). Yo, guys, why don't we just mug someone together? I'm ready.
A Buddha is not a man of concentration, he is a man of awareness. He has not been trying to narrow down his consciousness; on the contrary, he has been trying to drop all barriers so that he becomes totally available to existence. Watch... existence is simultaneous. I am speaking here and the traffic noise is simultaneous. The train, the birds the wind blowing through the trees - in this moment the whole of existence converges. You listening to me, I speaking to you, and millions of things going on - it is tremendously rich.
When we try to describe one person to another …, what do we say? Not usually how or what that person ate, rarely what he wore, only occasionally how he managed his job—no, what we tell is what he said and, if we are good mimics, how he said it. We apparently consider a person's spoken words the true essence of his being.
As a drummer, you can't fake the instrument. A trumpet, you could be blowing air; a person who plays the trumpet could still say, "Oh, those aren't the right hand motions." On drums, you have to actually hit them. You can't fake it.
As a philosopher, if I were speaking to a purely philosophic audience I should say that I ought to describe myself as an Agnostic, because I do not think that there is a conclusive argument by which one can prove that there is not a God. On the other hand, if I am to convey the right impression to the ordinary man in the street I think that I ought to say that I am an Atheist, because, when I say that I cannot prove that there is not a God, I ought to add equally that I cannot prove that there are not the Homeric gods.
And now, I’m going to sleep. I’ll see you in the morning, he said to Simon. “You,” he said to Jace, “well, I guess I’ll see you around. You’re the first Shadowhunter I’ve ever met.” “That’s too bad,” said Jace, “since all the ones you meet from now on will be a terrible letdown.” Kyle rolled his eyes and left, banging his bedroom door shut behind him.
When I was young, I wanted to find the Great Dark Man. When I said that I realise now that people thought that by 'dark' I meant black, and that by 'great' I meant big. Whereas I only meant a strong, mysterious person; someone who would 'take me away from all this.'
As a man and as a sports figure, you have to set limits and set boundaries on what can and cannot happen. Once you do that, your family will start to respect you. 'OK, I get it, he's all about football and handling his business,' and that's what I've done. In the past, when I was a young man - a younger man - it was hard for me to say no. Since I'm older, wiser, I know how to handle people, know how to say no, know when something is right and something wrong. I use proper judgment.
I think it's brain chemistry. I'm a positive, cheerful person, and I think it is absolutely the luck of the draw. I think the life I have had has come largely from the chemicals in my head. I see my life as good, and I think, a lot of times, if you see your life as good, then that's how it turns out.
For what is meant by saying that a government ought to educate the people? Why should they be educated? What is the education for? Clearly, to fit the people for social life - to make them good citizens. And who is to say what are good citizens? The government: there is no other judge. And who is to say how these good citizens may be made? The government: there is no other judge. Hence the proposition is convertible into this - a government ought to mold children into good citizens, using its own discretion in settling what a good citizen is and how the child may be molded into one.
Lots have said since what the film Maurice meant to gay men. I had a guy in New York who recognized me and jumped off a bus to tell me how I changed his life. Isn't that something?
My Father taught me how to be a man – and not by instilling in me a sense of machismo or an agenda of dominance. He taught me that a real man doesn’t take, he gives; he doesn’t use force, he uses logic; doesn’t play the role of trouble-maker, but rather, trouble-shooter; and most importantly, a real man is defined by what’s in his heart, not his pants.
I can only write a book like 'The Tin Drum' or 'From the Diary of a Snail' at a special period of my life. The books came about because of how I felt and thought at the time.
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