A Quote by Ada Leverson
Fog and hypocrisy - that is to say, shadow, convention, decency - these were the very things that lent to London its poetry and romance.
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Lent is the time for trimming the soul and scrapping the sludge off a life turned slipshod. Lent is about taking stock of time, even religious time. Lent is about exercising the control that enables us to say no to ourselves so that when life turns hard of its own accord we have the stamina to yes to its twists and turns with faith and hope. Lent is the time to make new efforts to be what we say we want to be.
Without the fog, London would not be a beautiful city. It is fog that gives it its magnificent amplitude...its regular and massive blocks become grandiose in that mysterious mantle.
Fog everywhere. Fog up the river where it flows among green airs and meadows; fog down the river, where it rolls defiled among the tiers of shipping, and the waterside pollutions of a great (and dirty) city.... Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.
It was a foggy day in London, and the fog was heavy and dark. Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither.
One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
It is day two of the Democratic convention, and apparently they had a huge lighting problem in the convention hall today. They worked all day on it. They still couldn't get President Obama out of Bill Clinton's shadow.
Love is not blind. Romance is. Romance is the most dangerous thing. Romance is like an illusion. It shows you things, and you hear things that don't exist.
I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
Humanity, morality, decency, might be forgotten, but codfish must still be had for the use of the faithful in Lent and on fast days.
Democritus sometimes does away with what appears to the senses, and says that none of these appears according to truth but only according to opinion: the truth in real things is that there are atoms and void. 'By convention sweet', he says, 'by convention bitter, by convention hot, by convention cold, by convention colour: but in reality atoms and void.'
Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where all is correct. But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion." Nothing follows a regular course. Her argument was that the crossing of the shadow of that sword may bring a more interesting existence to a woman, but you can bet it will be more perilous.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
People say modernism killed poetry for them: it doesn't rhyme, it doesn't touch a popular musical oral tradition. Years ago, you memorized and read poetry; it was one of the things you were forced to learn. Now it has tiny role in school.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
In 1987, the United States celebrates the bicentennial anniversary of the constitutional convention that provided the basic rules for the American political order. This convention was one of the very few historical examples in which political rules were deliberately chosen.
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