A Quote by Ada Yonath

I was described as a dreamer, a fantasist, even as the village idiot. I didn't care. What I cared about was convincing people to allow me to go on with my work. — © Ada Yonath
I was described as a dreamer, a fantasist, even as the village idiot. I didn't care. What I cared about was convincing people to allow me to go on with my work.
I don't care about convincing the people who think I'm naive or an idiot.
You did what you were told or you didn't get paid, and if things went wrong it wasn't your problem. It was the fault of whatever idiot has accepted this message for sending in the first place. No one cared about you, and everyone at headquarters was an idiot. It wasn't your fault, no one listened to you. Headquarters had even started an Employee of the Month scheme to show how much they cared. That was how much they didn't care.
I don't care about convincing the people who think I'm naive or an idiot. I'm interested in how do I inspire the people who are open-minded that there's a different way of seeing the world.
I care about doing the work as best as I can do, and that it should go on reaching people. It's not about fame and it's not about me. It's about creating something that might allow someone else to create something.
It felt like I was the only one who cared about the climate and the ecological crisis. My parents didn't care about it, my classmates didn't care about it, my relatives didn't care about this. I mean nobody I knew cared about this and I felt like I was the only one.
I don't care what people think about me. I care what people think about my work. As a young woman, I was so eager to please that I served others' happiness and even their values before my own.
I remember thinking Democrats and liberals were the good guys. They cared about the little guy. They cared about poor people. They cared about minorities.
I can care less what people say about me. If I can go to the facility, work out, play football, and go home, that's what I would do. I'm a big-time football guy. I could care less about the outside.
My job never actually leaves me. I watch people who come home from work at six and they're done, and that seems crazy. Then again, they have to get up at seven and go to work, to a job that maybe they don't really care about, and I get to do something that I care about.
Even in this case, whatever it is, it's about [Barack] Obama. "How did Obama do at the memorial? Did Obama come off well? Will Obama's poll numbers go up? Did he really reach people?" The hell that there are 53 people dead. Nobody cares about them, like nobody cared about the four dead in Benghazi. All the media cared about, how did Obama do?
Few of the great tragedies of history were created by the village idiot, and many by the village genius.
I want my channel to be a place people go even if they don't care about Lilly. I don't want them to have to know about Lilly or care about me as a person to enjoy my content.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
We never really cared about all the things that other people cared about, you know? Like, people recognizing me on the street never interested me. I've always been kind of suspicious of the world, anyway, so it's pretty easy for me to live in my own little world.
I try to remind people, whether you have a growth manager or a value manager, you're going to go through cycles where you think you have a village idiot.
It's tempting to think, 'This is silly. I'm an artist. I care about my work, my work is first. I don't care about what kind of dress I wear... That's so secondary to me.' But if you care about your work... then you need to take this part of it just as seriously as you would going into an audition and going into work.
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