A Quote by Adam Brody

I wish I came from a more pure place. I don't have something to say from the bottom of my soul. I just know how to take stuff I like and repackage it in a slightly different way.
A bouquet of clumsy words: you know that place between sleep and awake where you're still dreaming but it's slowly slipping? I wish we could feel like that more often. I also wish I could click my fingers three times and be transported to anywhere I like. I wish that people didn't always say 'just wondering' when you both know there was a real reason behind them asking. And I wish I could get lost in the stars. Listen, there's a hell of a good universe next door, let's go.
Somewhere in my soul a thought went up in my mind today that I have had before, but did not finish, some way back, I could not fix the year. Nor where it went, nor why it came the second time to me, nor definetly what it was, have I the art to say. But somewhere in my soul, I know I've met the thing before; it just reminded me-' twas all'-and came my way no more.
In prayer, something like an echo takes place. When you strike a note on the piano, corresponding strings in all the other pianos in the room start to vibrate. It is just the same when we express a pure wish in our ardent prayers: all around us we mobilize angels who are inspired by the same wish.
I also have just my own limits about stuff. I'm not interested in writing graphically about sexual assault for example. I feel like the stuff that I'm fascinated by is the stuff that's part of the public imagination of what horror is. The bleakness is a different issue. I think that just stems from my personality. I wish that I offered a little more glimmer of hope sometimes.
I feel like my soul yearns to experience something new at all times. That may be an encounter with a new place or persons or a song that plays and urges me to dance in a different way. I come alive when there is a chance to learn or do something different.
When I'm working on a Slipknot song, it's like a switch flips in my head. I can go there easily - it doesn't take a lot of soul searching - and it's a dark, almost sinister place. Stone Sour is more the way I've always written. It's a different tone.
Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
The linebacker has to make multiple, multiple decisions on every play. Not only what his assignment is and what the play is, but all the way along the line, different angles, how to take on blocks, how to tackle, the leverage to play with, the angle to run to and so forth, the technique. So many different things happen in a split second during the course of the play, just like it is for a quarterback. The more of those things that you can do right, slow down, get the most important things, not get distracted by all the stuff that's happening, but just really zero in on a target.
I can explain how a person with autism thinks. I am very, very interested in how people think. It's been a gradual process of learning more and more about how my thinking process is different. You know it's bottom up - you take specific examples to make concepts and then I put them in categories.
Gaga came to me, and I just could not find a soul. I come from church; maybe that has something to do with it. I like to get to the soul of a person. I just didn't feel a soul.
I'm coming from a place where I have seen a different way to handle it, or a slightly different way to go through what is happening, that gives me some perspective. So I think it always helps. It always helps to have someone who has traveled the world or seen a different way to do something. That helps give you perspective.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
Sometimes how I explain myself to the media can come across in a slightly different way to how I would mean to say things.
I feel like you have to be so precise in what you are going to say, or you can be hammered if you say it the wrong way. That part makes feel bummed out because sometimes these things can take a while to figure out. Different people formulate things in different ways and have different processes. I feel like let's just take a deep breath and not be so perfectionistic about it all.
If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.
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