A Quote by Adam Brody

I like to always have humour in whatever I do. — © Adam Brody
I like to always have humour in whatever I do.
I always try to lace my work with just a teensy-weensy bit of humour. It's rather like putting a sprig of feathery stuff in a flower arrangement: I believe humour is a great balancer.
You hear people talking about a Scottish sense of humour, or a Glaswegian sense of humour, all sorts of countries and cities think that they've got this thing that they're funny. I read about the Liverpudlian sense of humour and I was like, 'Aye? What's that then?' You get that and you especially hear about a dark Glaswegian sense of humour.
A man of knowing attains to a sense of humour. Let this always be remembered. If you see someone who has no sense of humour, know well that that man has not known at all. If you come across a serious man, then you can be certain that he is a pretender. Knowing brings sincerity but all seriousness disappears. Knowing brings a playfulness; knowing brings a sense of humour. The sense of humour is a must.
It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
Even with the darkest and most distressing subjects in movies there's always going to be humour not far away, just under the surface. And it does help otherwise we'd just get ourselves into a massive trough of depression if there wasn't humour just around the corner.
All Dickens's humour couldn't save Dickens, save him from his overcrowded life, its sordid and neurotic central tragedy and its premature collapse. But Dickens's humour, and all such humour, has saved or at least greatly served the world.
That's where humour lives for me. In the body. The Steve Martin kind of stuff or Jim Carrey, that's what I like. I've always felt that's what I would like to do.
I've never sat down with the intent of trying to shock or anything like that; it just so happens that the sense of humour I enjoyed watching as a kid is the type of humour I try to emulate as an adult. It's not a decision. It might sound a bit wanky, but it's the truth.
Common sense and a sense of humour are the same thing, moving at different speeds. A sense of humour is just common sense, dancing. Those who lack humour are without judgment and should be trusted with nothing.
A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.
Probably there is an imperceptible touch of something permanent that one feels instinctively to adhere to true humour, whereas wit may be the mere conversational shooting up of "smartness"--a bright feather, to be blown into space the second after it is launched...Wit seems to be counted a very poor relation to Humour....Humour is never artificial.
The true and lasting genius of humour does not drag you thus to boxes labelled 'pathos,' 'humour,' and show you all the mechanism of the inimitable puppets that are going to perform. How I used to laugh at Simon Tapperwit, and the Wellers, and a host more! But I can't do it now somehow; and time, it seems to me, is the true test of humour. It must be antiseptic.
Inevitably you're going to be delayed somewhere. Always have a book. Always have a movie. Always have a notebook. And then always have a sense of humour.
The humour of Dostoievsky is the humour of a barloafer who ties a kettle to a dog's tail.
What I find interesting is how close you can run the laughter along the seam of seriousness, and occasionally cross it, so that half the house genuinely doesn't know whether to laugh or cry. Custard pie humour is fairly universal, but at the other end, which I'm more interested in, there's the humour that hovers on the darkness, that walks in the shadow of something else, not always that obvious.
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