A Quote by Adam Brody
I like great directors who are scarce. Prolific ones are nice too but for me, there's something about the scarcity that makes it all the more valuable.
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The biggest mistake we make is asking the source to understand scarcity - something that is not! People pray: "Please give me more..." Or, "Please heal me." If you do this, you'll only attract more scarcity into your life. You can't think about what's missing in your life, what you don't like, or what "they" want for you.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
Leadership is scarce because few people are willing to go through the discomfort required to lead. This scarcity makes leadership valuable...It's uncomfortable to stand up in front of strangers. It's uncomfortable to propose an idea that might fail. It's uncomfortable to challenge the status quo. It's uncomfortable to resist the urge to settle...If you're not uncomfortable in your work as a leader, it's almost certain you're not reaching your potential as a leader.
For people like me, books are something solid and real, whereas digital stuff is a bit more ethereal. I like the trophy on my shelf, the presence in my home. A nice book is just as valuable as a decoration as a beautiful porcelain urn - and, let's face it, a hell of a lot more useful.
You know, frankly, it's like I sort of realized something about life in the past six or eight months - that taking things a day at a time is a blessing and it's an honor and it's something that makes the day that you're living a lot more valuable
High school taught me a valuable lesson about glasses: Don't wear them. Contacts have always seemed like too much work, so instead I just squint, figuring that if something is more than ten feet away, I'll just deal with it when I get there.
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
What I’m sorry about is not being a tipsy idiot when you found me. I’m sorry about that, obviously, but more sorry that my stupidity caused us to lose a great opportunity. I don’t imagine you would have met me and fallen crazy in love with me, but I would like to think that if you’d had a chance to meet me under different circumstances, something just as nice could have happened. We could have become friends.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.
You ever say a phrase you say all the time at the wrong time, feel like a complete idiot? Something like, 'You, too. You, too.' I was getting out of the cab at the airport, and the driver goes, 'Hey, have a nice flight.' 'You, too. You, too. You have a nice flight, too - in case you ever fly some day.
I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.'
I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.
The scarce water of Dune is an exact analog of oil scarcity. CHOAM is OPEC.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
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