A Quote by Adam Clymer

Another thing that's quite different in writing a book as a practicing newspaperman is that if you look at what you've written the next morning and you think you didn't get it quite right, you can fix it.
I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.
I don't feel quite normal if I haven't written for a while. I doubt I will ever again write anything as popular as the "Harry" books, but I can live with that thought quite easily. By the time I stop writing about Harry, I will have lived with him for 13 years, and I know it's going to feel like a bereavement. So I'll probably take some time off to grieve, and then on with the next book!
Our choices are quite different: what attracts Salman and Shah Rukh are, I think, quite different from what attracts me. So in that sense, we are quite different, but I think we are fortunate to have had the kind of success that we've had.
I think the great thing about grandparents is seeing another home, realising that people you love can have different priorities, different diversions, different opinions and lead quite different lives from the ones you see every day, and that is immensely valuable.
A Christian in the world is one thing, and the world in a Christian is quite another thing. A ship in the water is all right, but when the water gets in the ship, it is quite a different thing.
My uncommon sense told me to write this book [Turn and blossom], even though I was in the middle of making final revisions to my dissertation! Common sense would have said, finish the dissertation and get a good, solid academic position. But instead, I got to do something that no one else has done, because I don't think anyone has written a book quite like this one. And look at how beautiful it is!
When you first start writing-and I think it's true for a lot of beginning writers-you're scared to death that if you don't get that sentence right that minute it's never going to show up again. And it isn't. But it doesn't matter-another one will, and it'll probably be better. And I don't mind writing badly for a couple of days because I know I can fix it-and fix it again and again and again, and it will be better.
In general, a writer would like to think that the best book that he has written is the book that he is writing, and the next book will be even better. Maybe if this is not true, it is very useful to keep the illusion alive.
Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
The most important thing in writing is to have written. I can always fix a bad page. I can't fix a blank one.
I think a lot of people, when the word leadership is used, they think of it as quite forceful and quite a rigid thing. I think people think I am like that. But people can lead in different ways.
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
If I get married, I think I'd pick out a newspaperman rather than a millionaire. A newspaperman is a regular fellow.
The closest thing to an outline is, because my memory is so bad now, if something occurs to me that I think might be important or pivotal, a lot of times I'll scribble notes down somewhere until I can get back to the book. Of course half the time I look at those notes the next morning and think, "What was that about?"
Science has been quite embattled. It's the most important thing there is. An arts graduate is not going to fix global warming. They may do other valuable things, but they are not going to fix the planet or cure cancer or get rid of malaria.
I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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