A Quote by Adam Conover

Doing a format parody is one of my favorite things to do in comedy. — © Adam Conover
Doing a format parody is one of my favorite things to do in comedy.
I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.
One of my favorite things about sketch comedy is doing parodies and music videos.
All of my life doing interviews, comedy has been my favorite thing, comedians are my favorite people.
I love doing comedy. One of my favorite things in the world is to do 'Parks and Recreation'; a big fun character.
I love doing comedy. One of my favorite things in the world is to do Parks and Recreation; a big fun character.
There is a clear difference between sexist parody and parody of sexism. Sexist parody encourages the players to mock and trivialize gender issues while parody of sexism disrupts the status quo and undermines regressive gender conventions.
I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
All great reality shows have a very, very similar format. That's why it was so easy to parody.
Doing comedy is my favorite thing.
I see parody as another form of comedy.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
I think 'Paper Moon' is a comedy-drama. 'What's Up, Doc?' was the most severe comedy, but my favorite film of my own is 'They All Laughed,' which is a kind of bittersweet comedy.
In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.
As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
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