A Quote by Adam Conover

I can't think of another place other than TV where a five-person sketch comedy group could make a living. — © Adam Conover
I can't think of another place other than TV where a five-person sketch comedy group could make a living.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
That's what I love about sketch comedy: a sketch is five minutes, then it goes dark, and there's the potential for something else.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
My younger sister's a comedian. She has a sketch comedy group in Chicago called Schadenfreude and I look at her with such admiration and envy because it's such an amazing thing to make someone laugh.
Possibly the only genre that efficiently converted from TV to YouTube / Vine is sketch comedy, which has always had more to do with the skills of its creators than its budgets.
I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
If you're raised in a house where it's okay for one group to eat and another to cook, or for one group to get more education money than the other or to be more free than the other, or where one parent gives in to the will of the other or may be verbally or even physically abused by the other. This gives you an idea of human worth.
The comedy I do on TV came from me being at art school and seeing Gilbert and George films, thinking they were hilarious. I was trying to do that, a sketch version of art, and it ended up on TV.
It's a real democratic time for comedy, and I think my special is a sign for that. You don't have to just be a classic stand-up to get a special, or you don't just have to be on Saturday Night Live to do characters and sketch on TV. The web has allowed me to show that there are different ways to make people laugh, and the special is a combination of those things.
I try to be an ethical, moral person and a nice person, and I like to have that reflected in my comedy. I'm not a mean comedian, and I don't think that my comedy is mean. I think that for the most part, it's more focused on the diversity that we all handle and try to provide a distraction from the disaster of modern living.
'Mad TV' is one of my most favorite shows of all time and is a huge part of my obsession with sketch comedy.
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