A Quote by Adam Croasdell

For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.
Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
When you're writing for a game - even if you're using very well known characters like Batman and his villains who lend themselves to many different interpretations - you have to keep in mind that you're writing for a different medium. Things are a bit more straightforward than it is for a feature film or a TV show.
I have a great little camera, and I had a theory that if the story is interesting, it doesn't matter what medium you shoot it on. You just have to make a good film.
The fact is that writing, like any creative undertaking, carries with it both pain and great joy. The pain is often inherent in the most fertile subject matter; the joy lies in transforming that subject matter and thus moving through it in a way that helps us grow while we create something of value to others.
Critic asks: 'And what, sir, is the subject matter of that painting?' - 'The subject matter, my dear good fellow, is the light.
Any large extension of the Government into business affairs - no matter what the pretense and no matter how the the extension is labeled - will be bound to promote waste and put a curb on our prosperity and progress.
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
For me personally, it doesn't matter if I'm in a short film, a commercial, a digital series, a TV show, or a movie. Acting is acting. You have to embrace whatever medium you happen to be in and not worry about everything else around it.
With 'Sharknado,' they've got a great mix of TV and film. This is a film that has film impact in the TV medium.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
I find that as long as I'm acting it doesn't matter if it's for TV, or a series or a short film. I always have fun no matter what I'm doing.
To write for PC reasons, because you think you ought to be dealing with this subject, is never going to yield anything that is really going to matter to anyone else. It has to matter to you.
All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
Whatever I write, no matter how gray or dark the subject matter, it's still going to be a comic novel.
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