A Quote by Adam D'Angelo

You can go to Pinterest, and they'll get to know who your friends are, but they don't get to know very much about what you've done in the past. They're starting with little information about you, and they have to do this personalization.
I think Facebook is an online directory for colleges... If I want to get information about you, I just go to TheFacebook, type in your name, and it hopefully pulls up all the information I'd care to know about you.
At least I like to keep it the same. That's why I've got all the same friends. That's why I go back to Leeds as much as possible. I don't know if you know much about England, but Yorkshire is a very sobering place. In the North. It's very gritty. Old mining villages. And people don't really care about celebrities up there. And it's great. And that's why I get back there whenever I can. 'Cause it keeps me very grounded, and it keeps my life very normal, whatever that is.
The world doesn't go around on love between men and women. Lovers get very little done. But friends do. When you are past middle life - and I hope you have the rich experience of love along the way - don't think everything is all over. Don't regret the vanished cocktail when the stuffed turkey is about to come in. Flip out your napkin and bite into it! Friends you can gather around you in the later years of life are worth the whole thing.
I have two daughters, and they grew up and wanted to get into Instagram, and I didn't know anything about social media. I started it to learn about what they were starting to do and how they communicate with their friends. I opened an account. Very fast, in a few hours, I realized that I actually liked it.
You have to know everything. You have to know how to light a scene. You have to know all this technical stuff about directing. No, you don't. You can know as much or as little as you have to. Your main job is to get great performances and tell the story correctly and capture it correctly. Then it's just basically yours to complicate or simplify as much as you want.
I am a very organized person. I get up at 6:15 a.m., the kids get up at 6:45 a.m., and so I get up and get it in. I’m addicted to the high function. To me it’s a work thing - if you meditate, you can get so much work done. I always say to people you know how about three nights a year you get a good night sleep? You can have it every day with meditation.
If you rely on the media for your information, to educate yourself about the candidates and what issues are facing the country, then you get just part of the equation. I think it's important that we as citizens of this democracy take the responsibility to get as much information as possible before we go into the voting booth.
If you want to do good research, it's important not to know too much. This almost sounds contradictory but really if you know too much and you get an idea, you will sort of talk yourself out of trying it because you figure it won't work. But if you know just the right amount and you get enthusiastic about your project, you go ahead, you do it and if you're lucky things'll work out.
It can be tempting to blame others for our loss of direction. We get lots of information about life but little education in life from parents, teachers, and other authority figures who should know better from their experience. Information is about facts. Education is about wisdom and the knowledge of how to love and survive.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
I quite like the transitions of being an actor, because you get to explore these little pockets of life. So if you're playing a builder you get to know about building, if you're playing a scientist or a physician or something you get to know about physics. And similarly with this world I like exploring their culture, that very sort of upper middle class, addictive... that's part of the reason I love it.
I do send out information about my books. Very few people buy the books that way, but I always feel that if they want to know more about the process, they can get the information from my books.
My family, although they're very large on both my parents' sides, they don't know much about their family tree. Occasionally, they try to dig, but they can't get very far, and it's baffling. In Dublin, it seems that so many public records were wiped out; it's proven to be very difficult, so I know very little.
We know everything about what you know and how you learn best because we get so much data. And education is the highest-stakes media product in your life. It's infinitely more important than your Facebook friends' status updates or your Google search results because it's your future.
It's too easy, you see, to get trapped in the past. The past is very seductive. People always talk about the mists of time, you know, but really it's the present that's in a mist, uncertain. The past is quite clear, and warm, and comforting. That's why people often get stuck there.
Really, if you get to know pigs, they're very moody. They're not sweet little animals at all. That's what I like about them. They get depressed; they get into these snits. They're carnivorous.
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