A Quote by Adam DeVine

After 'Pitch Perfect,' I only want to be in sequels. No. 2 of whatever. — © Adam DeVine
After 'Pitch Perfect,' I only want to be in sequels. No. 2 of whatever.
Magic is the only way to describe it, climbing pitch after pitch of the most perfect, beautifully sculpted granite in the world.
After 'Pitch Perfect' premiered, I've got so many sweet expressions from people who enjoyed 'Pitch Perfect' and now the episode of 'Game of Thrones.'
I don't have perfect pitch, but I have relative pitch. I'm glad I don't have perfect pitch because perfect pitch can drive you crazy.
I want to be that good. I want to be Barry Bonds. I want when I pitch to be 'Win Day.' I want my teammates to relax on the days I pitch because they know they only have to get us a couple of runs. I'm totally prepared for that.
I always want to do whatever it takes - whatever I possibly can - to help my team-mates on the pitch.
They're just not into doing sequels after Toy Story so I don't think that's a possibility. But if they did, well sure, you'd have to do it. And I'd want to do it.
I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I would not want you to suppose that my rejection of Allen Forte's theory of pitch-class sets implies a rejection of the notion that there can be such a thing as a pitch-class set. It is only when one defines everything in terms of pitch-class sets that the concept becomes meaningless.
It kills me when I make a bad pitch...I want to be perfect out there.
Whatever my situation is, I want to show that I'm not perfect, and perfect isn't real. The youth need to know that, especially.
That's what I want. I want the big fights, not only to get the title shot but to secure my future and whatever I pursue after fighting.
When you look at the 'Roseannes' and the 'Will and Graces' - when those reboots or sequels or whatever you want to call them are well-executed and have a fresh angle that's relevant, it's a big, warm comfort hug to the audience.
I think my least favorite hair color was the hair color that I had in 'Pitch Perfect 2.' They really wanted me to be dark red, and I wanted to be lighter like I was in the first movie, but they didn't want that. But I rocked some light red for a year, after it faded.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
I only think about the pitch. I want to do great. I want to be one of the best. I want to win titles. I want to achieve things.
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