A Quote by Adam DeVine

You can shoot a show and have it not air. It's not real until it's airing. — © Adam DeVine
You can shoot a show and have it not air. It's not real until it's airing.
I have real TV studios. If I have an idea, I can go shoot it. I can experiment. If I choose to air it or not, it's at my discretion. I don't have to do it to somebody else's time frame.
You can't predict a show, that is the damndest thing, you can't predict if a show is going to work or not until it's on the air.
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
The industry is such - there is no guarantee that a show would work only because it is airing.
Like, if I'm assessing someone's game and they can't shoot, they can't shoot. And they know they can't shoot. It's not like I'm making fun of them. I just keep it real, man.
I received a lot of complaints from parents who wrote and told me that their kids wouldn't go to sleep until our show was over. So I went on the air and told all the children watching to 'listen to their Uncle Miltie and go to bed right after the show.'
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
After my show and others like it began airing on TV, network executives started to see that there was a market for outrageous, over-the-top content.
I was born on March 3, 1970, as Mom and Dad's stardom was nearing its peak, while The Johnny Cash Show, was airing regularly on network TV.
I'm not a dancer, and it was very time-consuming. But I met great people, and it was flattering to be asked to be on. You don't understand how demanding that show is until you're on the inside. That is real work. Real work!
The true way to be humble is not to stoop until you are smaller than yourself, but to stand at your real height against some higher nature that will show you what the real smallness of your greatness is.
Seventh grade is when I met my shooting coach and he fixed my shot. I used to shoot with two hands. Really ever since is when my I started to shoot real well.
It wasn't until I had a platform and an opportunity like 'Being the Elite' to show people that I'm a real human being. Show people I have a personality. I think that's helped more than anything in my career.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
Fan feedback going from a box of letters once every few months to literally tweeting while the show is airing. We are able to get a much quicker response to the choices we're making as storytellers.
I remember when I was shooting for my debut show Tashan-e-Ishq,' the first season of Naagin' had just started airing and I used to be so fascinated by the characters. It feels good to be a part of such a prominent franchise on TV.
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