A Quote by Adam Driver

Costume people are always saying they don't have clothes big enough for me. — © Adam Driver
Costume people are always saying they don't have clothes big enough for me.
I've always liked clothes. I usually work very closely with the costume designer when I work on films, picking the fabrics and the clothes. And colors convey feelings. I like swatches and things like that. It makes me feel at home.
I enjoy clothes. My mother tells me how, even as a kid, I used to choose my own clothes. I have a feel for it, and I do the costume coordination for my photo shoots as well. Many a time, even my characters wear the clothes I choose.
When I dress up in costume, it always starts with the wig for me. Big wigs and big headpieces are so fun, and they give you confidence and make you feel powerful.
But most distinctly, I remember always saying to myself that when I get big, I'm not going to go to bed hungry, I'm not going to wear hand-me-down clothes.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
For me, I've always found people who stand up and spritz themselves all over their clothes very odd. I'm a big bath addict, and I get up in the morning, and I have a big bath. But when I get out, and I'm still hot but fresh out of the bath, that's when I apply scent. I just have it on my bare skin; I never apply it to my clothes.
My whole career, when I was in Croatia, people questioned me, saying I wouldn't make it, that I wasn't good enough because I wasn't big and strong.
The secret to a great Halloween costume, and I can't stress this enough, is in my opinion is to extract sexuality out of your costume.
I'm a big comic book nerd so every time I'm in costume and see everyone in costume I'm just like "This is sick."
I am interested in costume. Clothes in your daily life are important: your choices say something about you, even if what they're saying is about non-choice. And what you wear in a film is crucial.
I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'
All of the great social justice advances that we ever had in this country have come not from people with big titles and not from people at the top, but just from everyday people getting together saying 'Enough is enough. I'm going to change this, and I'm going to get involved, and I am going to be engaged.'
If you tell a lie that's big enough, and you tell it often enough, people will believe you're telling the truth, even if what you're saying is total crap.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
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