A Quote by Adam Driver
If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
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The best strikers make you sit up and take notice because every time they get the ball, you think that something amazing could happen. Of course they'll score goals, but they'll have something in their game which makes you think, 'Wow, he can win this game by doing something magical.'
So, when it comes to eating healthy, it's just doing the right thing. And it's not something you have to do 365 days a year, but I think it's something you have to do 25 days a month. Let's put it that way.
Usually when I'm painting something it takes a lot of focus. I have the room I go into called the white room. In my imagination when I'm really focused I go into that white room and all that's there is me, my painting, and my tools. There's no distraction. When I'm really concentrated I like to have it silent but when I'm doing something that doesn't have to be necessarily perfect, I can just go for it.
With experience, you suddenly realise you know how to do things or that you've done something like this before. And I think as you get more confident, you can sit back and try and weigh up the options of doing something or not doing something.
I think doing something creative is the most important thing to me, and I think it's probably just good for the soul for anyone, whatever it is. You don't have to be a film director - you can do gardening or something - but I think everyone needs to create something.
Doing something that is productive is a great way to alleviate emotional stress. Get your mind doing something that is productive.
I think when you're reaching outside of something you're comfortable doing, you're just heading towards a light. I don't think you stop to justify it.
I like to say I sit alone in my room, and I fight the language. I am wildly obsessive. I can't let something go if I think it's wrong.
I don't have a favorite I like and then I'll go and watch "Days of Heaven" and I go how beautiful is that. So I think, at least my idea, was lets bring something again that's primitive and guttural but then let's also do something beautiful where you're outside and this isn't a typical western setting. It's lush. It's green. It's beautiful.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I would encourage people to realize that you don't have to panic if you're not part of a mainstream, or if you find yourself outside the flow. If it doesn't suit you, don't go along with it. Just sit it out and get your stuff done. Don't just sit moaning or getting drunk—I spent some years doing that. But if you can just come up with something of your own, however minor it is, that's going to be easier to live with when you're at the end of your life.
When I'm ready to make a photograph, I think I quite obviously see in my minds eye something that is not literally there in the true meaning of the word. I'm interested in something which is built up from within, rather than just extracted from without.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.
It is hard for me to imagine retiring at 65 and spending the next quarter century not working. I expect to be working, doing something productive and fulfilling.
I'm not prescribing non-doing as a universal response to our problems. Sometimes, something obviously needs to be done. And we retreat into a spiritual or meditative state that we fancy up by calling it mindfulness, but really it's an unhealthy detachment and a shrinking back from life. But culturally, it's much more common to be trapped in habits of reaction, whether on a systemic level or on a personal level. That's where the non-doing comes in, which is something that we don't really have room for. I think that it's something we need to embrace as part of the creative process.
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