A Quote by Adam Driver
Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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When you're on stage, you're playing to whoever is in the back of the room, and TV and film is so much more detailed and nuanced, but I think that's what I always wanted to do. As much as I love theater and musical theater and would love to do it again, I really love the subtleties of film and theater acting.
My way into everything was through the theater. There are so many plays that I saw growing up that just made me realize that I wanted to be on stage doing that. So it was definitely through ballet, and then stage, and then theater and acting. And then I kind of made my way to film.
I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage.
Film is mostly a visual medium, and so the director has much more control in terms of painting pictures and painting a performance. For theater, the director does everything he can and then says, 'Out you go,' and the actors are in charge of that stage every night.
I'm still really interested in acting, I love film so much. It's definitely something I'm going to explore as well.
I really only started doing film in '97. I mean, before then, I just pretty much did theater.
There is nothing, not a thing, like the process of creating a character for the stage - you can't get it anywhere else. Unless you're totally method and spend six months living your life like your character for a film, the theater is the place to get that intense acting experience.
I love acting in the theater,but I'm fascinated with acting on film. If it's a film or a play or whatever, if the writing is good and you really feel passionate about it, you just can't lose. You'll grow from it. Whether it's a success or not is neither here nor there; you're going to grow as an artist from this experience.
What happens in Israel, it's not so divided between being a film actor, or a TV actor - usually, we just do everything. I do theater, film, and television, and the theater is mostly financed by the government.
I come from the theater and I plan to always do theater. So I don't really see myself not being able to act even if people don't think I am sexy enough for film at 40, I'll still be acting.
I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
I am constantly asked, 'What's the difference between acting in the theater and acting in film?' The only answer I can give is the space - you adapt to the space. But acting is acting.
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