A Quote by Adam Driver

Through theater and acting school, I found a way to articulate myself. — © Adam Driver
Through theater and acting school, I found a way to articulate myself.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
Before discovering theater, I was sloughing off and didn't have any passion for school. Then I couldn't get enough. All of a sudden, I was getting good parts in all of these plays. I just loved it. I started getting A's in acting, directing and technical theater. I found something that clicked.
I didn't know what acting school was, so I went onto the computer and typed 'acting school.' I found one in Berlin, and I found ones in Vienna, Zurich, and London. I went to all of those places to audition. You were supposed to have two monologues, and I only had one.
I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
My way into everything was through the theater. There are so many plays that I saw growing up that just made me realize that I wanted to be on stage doing that. So it was definitely through ballet, and then stage, and then theater and acting. And then I kind of made my way to film.
I was always interested in acting, but in my high school sports was the cool thing to be part of, and I was still very into being cool. So I played a lot of basketball and football. But I always had that want to be in theater and to be a part of theater arts. But in my school, it was just a really nerdy thing to be a part of. Everyone in my school wore bowler hats - they were always on, always acting, and all so big. I was like, "I can't be that", even though I wanted to be.
I went to school for singing, middle school at LaGuardia High School. Followed by Berkeley College of Music and afterwards I went to acting school at the Neighborhood Playhouse for Theater.
I was, throughout school, in the theater program. Through elementary school, junior high, high school, and then J.J. Abrams, my closest friend in the world, we were living together. He was writing, and I was trying writing; I wasnt getting paid for it like he was, but I always had the acting bug.
I think it started since I was born, I always had a need to express myself, you know, as a human being, and I found that it felt right when I expressed myself through art, dance, through acting, so it kind of happened naturally.
I started going to acting school in my senior year in high school, and I remained in acting school through four years of college.
After going to theater school, and then subsequently dropping out, I would say that when I first went to Chicago and learned long-form improv, that was a far better acting workshop than any acting school I've been to.
Acting is just another way to express myself as an artist. I realized if you're an artist, you're an artist and you can express that through music, through painting, through photography, through acting - this is just another way for me to express myself.
I went to this massive co-ed school for the first time when I was 16. Everyone there had been together since elementary school, and I found it quite difficult, especially when I'd never stepped into a classroom with boys. So I started looking out in the community for a social outlet. I started getting involved in student films and community theater. Acting began as a hobby.
Once I went to film school, I realized that film directing was actually much better than theater directing, because you kind of get to stay in control of it all the way through. You don't relinquish the piece to the actors like you have to in theater; you stay in control through the very end.
I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.
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