A Quote by Adam F. Goldberg

I remember running down the hallway screaming 'We're Not Gonna Take It.' It was really one of those childhood anthems that really stirred you up and made you want to rebel.
There's a long history of presidents coming in, saying they're gonna to take on the bureaucracy. What they really mean is they're gonna try to shift the emphasis of where those bureaucrats are gonna work and how they're gonna spend their time towards achieving objectives that presidents want to achieve.
Sometimes I just got off of an international flight and people are like running up, screaming and hollering, and want to take pictures. They don't really understand like, 'Dude, I'm tired. Just say hello. Keep it moving.'
Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories.
I was brought up by a single mom in a poor town in Arkansas and while some aspects of small-town life were really positive - like the fact that everyone there is really sweet and hospitable - there is also this close-minded mentality, and that naturally made me want to rebel.
For my own children, I do want for them to look back and remember that it was me in the kitchen, that I was doing the packed lunches, that we were there on the school run, that we did take a bus. I want them to remember those things, because those are the things that I remember from my own childhood and that have been incredibly important to me.
You have those walls up all around you...Come a day you gonna want to tear them down brick by brick and gonna find that the cement is all hard. What you gonna do then?
When you ask a guy, 'Are you gonna take a fight if your opponent doesn't make weight?' Is it really asking? Does he really have a choice? When you back them into a corner like that, is there really a choice to be made?
It’s harder to talk about, but what I really, really, really want for Christmas is just this: I want to be 5 years old again for an hour. I want to laugh a lot and cry a lot. I want to be picked or rocked to sleep in someone’s arms, and carried up to be just one more time. I know what I really want for Christmas: I want my childhood back. People who think good thoughts give good gifts.
I can remember an Inter-Verona and we arrived at the stadium an hour and a half before kick-off and there were already 85,000 fans screaming our names. It sent shivers down your spine. I am proud of one thing and that is that I really gave all of my energy for those people.
I can draw pencil lines to show something is moving, but if I'm writing, I struggle with how to write it. The boy ran down the hallway? The boy ran quickly down the hallway? The boy ran down the marble hallway? I agonize over the words. So my editor works very hard. I'm lucky to have her.
I'm a really nostalgic person. I love taking photos and video and having memories. I remember all my childhood videos that my dad used to take. I think that's really what life is about - especially when you start a family of your own.
When people are talking about manifesting, we can say, "I want a car, I want a car, I want a car," but if the mind is running, "I don't deserve it, I'll never be able to afford it, I'll never be a success" - if all those things are running - then those things are what we're really manifesting. They are exactly what's running our life. And as long as we believe those thoughts, thinking positively is not strong enough to override our negative beliefs.
I grew up in Christianity. They preach a lot that you should get married and be a wife and be a virtuous woman and all of that. So I was so eager to do that, and I didn't really take the time I needed to grow into my own. And I ended up running into a really bad situation. I didn't even really date my ex-husband. We just kind of jumped into it.
So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out.
I'm never gonna be somebody who's gonna fall down from the sky on a trapeze. That's not me. I really want to make sure that my focus stays on connecting with the audience.
The Russians were all really accommodating, and that made it really special. To be allowed in Catherine's Summer Palace...Lily [James] and I have this scene where we fall in love and we waltz up and down this enormous gold hall with thousands of candles and a live orchestra and 300 Russian extras. To do those scenes in situ really meant it was a once-in-a-lifetime job.
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