A Quote by Adam Garcia
I started with ballet and then my cousin Sarah introduced me to her tap teachers.
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I started with ballet, and once I started to really like it, I got into more - I did jazz and tap, and then kept going.
I trained in every form of dance - started as a tap dancer when I was a kid, then contemporary, ballet, ballroom, everything. Russian, Swedish.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
Fonteyn was our first proper British ballerina, and from the moment I started dancing, her image engulfed me. In my first year at the Royal Ballet School, Margot's statue was outside my dormitory. Like generations of budding ballet dancers before me, I used to touch her middle finger for luck.
I think my mom put me in tap classes when I was three, which I never pursued. I don't know how to tap. Then we moved to Portugal when I was five, and, I think, she put me in ballet classes immediately. Then I was expelled for being too restless - I am too high energy - and was told I could go do rhythm gymnastics.
I was introduced to theater by a teacher that found me when I was in elementary school. She tested me for the Gifted and Talented program, started taking me to see the 'Nutcracker Ballet.' I got involved.
I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.
How big are souls anyway?" asked Coraline. The other mother sat down at the kitchen table and leaned against the back wall, saying nothing. She picked at her teeth with a long crimson-varnished fingernail, then she tapped the finger, gently, tap-tap-tap against the polished black surface of her black button eyes.
No one around me was obsessed with Fred Astaire except for me. It just snowballed, really. I started with tap lessons. When I didn't have tap shoes, I taped nickels on the bottom of my penny loafers.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
I did not even go to kindergarten; I just started first grade when I was five and started reading right away. I don't know how it all worked, but I had a lot of adults and older siblings around me. So, I guess I was probably introduced to what one would be introduced to at that time in kindergarten.
I began with dance, doing ballet at 3, then tap, jazz, modern. Then I sang in church choirs, learned how to play clarinet and drums, sang with rock bands and only then did I get into musical theatre.
I knew from reading about Sarah Grimke that she'd been given a handmaid to be her personal slave and that her name was Hetty. The only other fact I knew about her was that Sarah taught her to read: They conspired in a very subversive way, by locking the door and screening the keyhole.
My father was a very big musical influence on me. He was a trumpet player. And that's what I started with. Then, when I was 7, my parents introduced me to the piano.
I joined the Royal Ballet School when I was 13. Before then, I'd done ballet twice a week after school. The rest of my class had started aged 11, so I'd missed two years and was really far behind.
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