A Quote by Adam Gopnik
... a fact about photography: we can look at people's faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states - for a first look at someone we may sleep with, or a last look at someone we love.
Related Quotes
Photographs help people look at things they may not be able or may not want to look at. Until you can look at something, you can't change it. First you have to look at it, then you have a chance to understand it and can change it.
We have to pay attention to one another, regardless of how someone may look or act, look again. Looking at people is like looking at art. I may look at a painting and dislike it because I don't understand it but then I'll look deeper and I'll see things better.
How hard it is for people to live without someone to look down upon-really to look down upon. It is not just that they feel cheated out of someone to hate. It is that they are compelled to look more closely into themselves and what they don't like about themselves.
My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.
I think many people think competitive eating is a really disgusting sport, so people think they look bad normally. But I care about what I'm wearing. I don't want to be someone who is doing something that is considered gross and then also look like a slob.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
I find it satisfying that what I've done in photography has had so much influence in how people take photographs and what they look at and how they look at things.
It's not enough to shelve your own competitive streak. You have to try, consciously, to help others succeed. Some people feel this is like shooting themselves in the foot - why aid someone else in creating a competitive advantage? I don't look at it that way. Helping someone else look good doesn't make me look worse. In fact, it often improves my own performance, particularly in stressful situations.
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing to look at. They had the best portraits, and their news photography.
But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
People think once you get famous and rich you move out of the public sphere and you have nothing left to write about. I've heard that - Bruce Springsteen was this real street boy, now he's got this big house. How does that compute? If you don't look at the material side of someone's life, if you look at more the emotional side, there's always a wealth of stuff to write about.
I look at my sons' little faces, and I want to be their superhero. I don't want them to have to look outside to a third party for a hero, for someone to look up to and admire. I want that to be ME. I want that person to be MOMMY for them.
People listen for cues - when they are searching for a decision, they look to people they know. Young people can be apathetic in certain ways unless they hear from someone they like and admire about why they should be engaged and involved. If someone you love is doing a rally or concert, you may be engaged to register.
My method of helping someone is saying, 'Wow, you look amazing. Let me help you look even better.' I think tearing someone down is an awful thing to do. It has a lasting impression on people.
My mother's work has been an enormous influence on me, but not literally. By that I mean, my photographs don't look like hers. That makes it difficult to compare them. What they do share is an emotional intensity.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
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