A Quote by Adam Gopnik
The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present. If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping, and the room was full.
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I said it, just like that. No stupid jokes, no changing the subject. For once, I wasn't embarrassed, because it was the truth. I had fallen. I think I had always been falling. And she might as well know, if she didn't already, because there was no going back now. Not for me.
I was still very hopeful that much work lay ahead of me. Perhaps because much of what I had worked on or thought about had not yet been put into writing, I felt I still had things in reserve. Given this optimistic nature, I feel this way even now when I am past sixty.
My spirituality is more private. I've got my own personal relationship with god. I know that there's a god because I was able to survive everything that I've been through - all of the tough times - and I'm still at the top of my game. With all the rumors and all the hate, I'm still strong, still happy, still blessed.
People might be making too much of me maturing and growing; I’m still the same person. I still like to joke around and have fun in the locker room and on the road trips. I still get into arguments with Jonathan because we both have strong opinions, and we’re both so comfortable with our relationship that we can argue and still have a healthy friendship.
What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.
I'd accepted a while ago that there were too many reasons for me to even think about him romantically anymore. Every once in a while, I slipped a little and kind of wished he would too. It'd have been nice to know that he still wanted me, that I still drove him crazy. Studying him now, I realized he might not ever slip because I didn't drive him crazy anymore. It was a depressing thought.
I've been wanting to cut my hair now for at least a year. I've often fantasized about it but I haven't been able to do it because of the contracts that I've had.
I changed it. I had to. Do you know why?" She studied him, her eyes grave. "Because that was then and this is now. Because the past is gone, even though it defines the present.
For unless one is able to live fully in the present, the future is a hoax. There is no point whatever in making plans for a future which you will never be able to enjoy. When your plans mature, you will still be living for some other future beyond. You will never, never be able to sit back with full contentment and say, "Now, I've arrived!" Your entire education has deprived you of this capacity because it was preparing you for the future, instead of showing you how to be alive now.
If so far we have been unable to see clearly or to reflect the eternal lineaments of truth, is it not because we too are still moving towards some end-because we are still alive?
In this culture the soul and the heart too often go homeless. Listening creates a holy silence. When you listen generously to people, they can hear the truth in themselves, often for the first time. And in the silence of listening, you can know yourself in everyone. Eventually you may be able to hear, in everyone and beyond everyone, the unseen singing softly to itself and to you.
And then their voices stopped and their souls stood still and they ceased being who they had been. Because who they were had always been determined by him.
If you are a certain kind of hands-on learner and have been in a writers room and know how scripts get made, and you know what pre-production is, then mostly it's making sure the actors get what they need, and you are providing creative oversight while allowing room for everyone else to own the material, too.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
I asked Fred Astaire once when he was about my age if he still danced, and he said 'Yes, but it hurts now.' That's exactly it. I can still dance, too, but it hurts now!
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